Iamblichus' Life of Pythagoras, or Pythagoric Life: Accompanied by Fragments of the Ethical Writings of certain Pythagoreans in the Doric dialect; and a collection of Pythagoric Sentences from Stobaeus and others, which are omitted by Gale in his Opuscula Mythologica, and have not been noticed by any editorIamblichus
Philosophy
Iamblichus' Life of Pythagoras, or Pythagoric Life: Accompanied by Fragments of the Ethical Writings of certain Pythagoreans in the Doric dialect; and a collection of Pythagoric Sentences from Stobaeus and others, which are omitted by Gale in his Opuscula Mythologica, and have not been noticed by any editor
Iamblichus
Ethics, Ancient; Philosophers -- Greece -- Biography; Philosophy, Ancient; Pythagoras; Pythagoras and Pythagorean school
“Neither, therefore, does the pentad consist of substance and accident,
as a white man; nor of genus and difference, as man of animal and biped;
nor of five monads mutually touching each other, like a bundle of wood;
nor of things mingled, like a drink made from wine and honey; nor of
things sustaining position, as stones by their position complete the
house; nor lastly, as things numerable, for these are nothing else than
particulars. But it does not follow that numbers themselves, because
they consist of indivisible monads, have nothing else besides monads,
(for the multitude of points in continued quantity is an indivisible
multitude, yet it is not on this account that there is a completion of
something else from the points themselves); but this takes place because
there is something in them which corresponds to matter, and something
which corresponds to form. Lastly, when we unite the triad with the
tetrad, we say that we make seven. The assertion, however, is not true:
for monads conjoined with monads, produce indeed the subject of the
number 7, but nothing more. Who then imparts the heptadic form to these
monads? Who is it also that gives the form of a bed to a certain number
of pieces of wood? Shall we not say that the soul of the carpenter, from
the art which he possesses, fashions the wood, so as to receive the form
of a bed, and that the numerative soul, from possessing in herself a
monad which has the relation of a principle, gives form and subsistence
to all numbers? But in this only consists the difference, that the
carpenter’s art is not naturally inherent in us, and requires manual
operation, because it is conversant with sensible matter; but the
numerative art is naturally present with us, and is therefore possessed
by all men, and has an intellectual matter which it instantaneously
invests with form. And this is that which deceives the multitude, who
think that the heptad is nothing besides seven monads. For the
imagination of the vulgar, unless it first sees a thing unadorned,
afterwards the supervening energy of the adorner, and lastly, above all
the thing itself, perfect and formed, cannot be persuaded that it has
two natures, one formless, the other formal, and still further, that
which beyond these imparts form; but asserts, that the subject is one,
and without generation. Hence, perhaps, the ancient theologists and
Plato ascribed temporal generations to things without generation, and to
things which are perpetually adorned, and regularly disposed, privation
of order and ornament, the erroneous and the boundless, that they might
lead men to the knowledge of a formal and effective cause. It is,
therefore, by no means wonderful, that though seven sensible monads are
never without the heptad, these should be distinguished by science, and
that the former should have the relation of a subject, and be analogous
to matter, but the latter should correspond to species and form.
Public-domain text, read in full here on John Shaqi.
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