Iberia Won; A poem descriptive of the Peninsular War: With impressions from recent visits to the battle-grounds, and copious historical and illustrative notesHughes, T. M. (Terence McMahon)
History
Iberia Won; A poem descriptive of the Peninsular War: With impressions from recent visits to the battle-grounds, and copious historical and illustrative notes
Hughes, T. M. (Terence McMahon)
Peninsular War, 1807-1814 -- Poetry
For the incidents from ancient Spanish history with which this
Canto opens, the reader is referred to Livy (lib. xxi. et Epit.) or
to Ferguson’s _Roman Republic_, where a full account will be found
of the ever-memorable Sieges of Saguntum and Numantia. The ruins
of Saguntum (Liv. loc. cit.) or Sagunthus (Sil. Ital. lib. i.) are
still visible on the sea coast, a little to the north of Valencia.
The site of Numantia, having a much more central position, a few
miles north of Soria, capital of the small province of that name
in the eastern part of Old Castile, is more conjectural than
that of Sagunthus. The name of Numantia is erroneously spelled
“Numantium” in Mr. Lockhart’s _Ancient Spanish Ballads_, a work
of extraordinary merit, notwithstanding a few inaccuracies. The
particulars of the siege of Numantia are to be found in the 57th
_Epitome_ of Livy’s lost books. The Moorish invasion under Tarik,
the fall of Roderick, and the struggles of Pelayo, are described
or alluded to by Byron, Scott, and Southey. The scene in the
Vale of Covadonga is one of the finest passages in the latter’s
poem of _Roderick_, where huge masses of rock are hurled down on
the advancing Moorish host at the signal of the following words
pronounced by the heroine:
--“IN THE NAME
OF GOD! FOR SPAIN AND VENGEANCE!”
Southey, _Roderick_. book xxiii.
The fight at Roncesvalles is the most memorable in the entire
range of Romantic History, and has been alluded to, amongst other
poets, by Pulci, Ariosto, Milton, Scott, and Lockhart. The siege of
Zaragoza will be found described in detail in a succeeding canto.
The ferocity displayed by the Moors in their invasion appears to
have been not at all exaggerated by the Spanish chroniclers, and it
is curious that this fierceness of aspect should have been noticed
many centuries before by Horace:
Acer et Mauri peditis cruentum
Vultus in hostem.
_Carm._ i. 2.
The modern representations of Abd-el-Kader’s warriors by French
artists square with the ancient notions of the Moorish ferocity of
aspect. I myself have seen at Tangier and Gibraltar for the most
part fine-looking men, but certainly with a tinge of ferocity, and
here and therewith an expression worthy the “truculentus Maurorum
vultus.” The introduction of Mohammedanism seems to have altered
nothing in this respect, for in the days of Julius Cæsar, as Horace
here attests, the same physiognomy was apparent; and Suetonius,
speaking of the war between Cæsar and Juba, king of Mauritania,
represents even the Roman legions as affrighted: “Famâ hostilium
copiarum perterritos ... expectatio adventûs Jubæ terribilis.”
_cap. 66._
Public-domain text, read in full here on John Shaqi.
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