American drama -- 20th century; Farm life -- Drama; Inheritance and succession -- Drama; Maine -- Drama
Just one then! (_She holds up her lips, and as he kisses her
ardently, the dining-room doors back of them open and Jane stands
in the doorway, looking at them. She has removed her apron and has
made some poor attempt at dressing up. Back of her we see the table
bravely spread for the festive birthday party. There is a large
turkey and other special dishes, and a round cake on which blaze
twenty-two tiny candles. They turn their heads, startled, as Jane
looks at them, and Ben tightens his arms defiantly about Nettie_) Let
me go!
BEN (_holding her and looking past her to Jane_) No! (_Then to Jane_)
Why are you looking at me like that?
NETTIE
Let me go.
BEN (_to Jane_)
To hell with your dream of grubbing in the dirt. Now I know what I
want, and I’m going to get it.
NETTIE
Let go, dear. (_She draws away_) I’m ashamed about wearin’ your
dress, Cousin Jane. I’ll take it right off.
JANE
You needn’t. I guess I don’t want it any more. (_For the first time
her eyes leave Ben’s face. She turns and steps past them to the door
at right and calls_) Supper’s ready, Ella!
[_Hannah enters at back in dining room with a plate of hot biscuits._
CURTAIN
ACT III
_Scene: Same as Act One. Parlor at the Jordans’, two months later._
_At rise the characters are grouped exactly as they were at the
opening of the play. The white slip covers, however, have been
removed from the chairs, and the backing through the window shows
partly melted snow drifts. Henry sighs; the clock strikes two. Henry
looks at his watch._
_There is a pause. The outside door slams and Ben enters and looks
about._
BEN
Well--here we all are again.
SADIE (_sadly_)
Yes.
HENRY
I ain’t been in this room before since the funeral.
SADIE
And I ain’t, and the last time before that was when father died.
EMMA
I sat right here, in the same chair I’m settin’ in now, but to your
grandfather’s funeral, right after I married Henry, I was treated
like one of the poor relations! I had to stand up.
HENRY
I remember; it made considerable trouble.
ELLA
I don’t know as it was ever what I called a cheerful room.
HENRY (_severely_)
A parlor’s where a person’s supposed to sit and think of God, and you
couldn’t expect it to be cheerful!
ELLA (_looks about_)
Seems like we’d had trouble and disgrace enough in this family
without her takin’ all the slip covers off of the chairs and sofa!
EMMA
It ain’t _right_!
SADIE
That Boston woman that’s building the house over on Elm Street ain’t
so much as goin’ to have a parlor. I stopped her right on the street
and asked her what she was plannin’ to do soon as the first of ’em
died.
EMMA
What did she say?
SADIE
Said she tried not to think about such things.
HENRY (_sternly_)
We got Atheists enough in this town right now.
BEN
Well, if Jane’s coming I wish she’d come; this ain’t exactly my idea
of pleasant company.
ELLA
Public-domain text, read in full here on John Shaqi.
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