Iceland: Horseback tours in saga landRussell, W. S. C. (Waterman Spaulding Chapman)
History
Iceland: Horseback tours in saga land
Russell, W. S. C. (Waterman Spaulding Chapman)
Iceland -- Description and travel; Sagas -- History and criticism
The results of their home education are excellent; the children study
for the sake of knowledge. The most simple ones have a good knowledge
of history and geography. The law requires that the church services,
the village schools and the proceedings of the _Lagthing_ be conducted
in Danish. On all other occasions the Faroeman uses his own language.
They use the Danish only upon compulsion. There is a strong anti-Danish
feeling which is kept alive by the supercilious behavior and affected
superiority of the resident Danes, who, however, in politeness, integrity
and hospitality are inferior to the Faroese. The Danes in Faroe are not
to be confounded by the reader with the Danes resident in Denmark.
The people are stoutly built, with fair complexions, usually handsome,
mostly short in stature, broad shouldered and rugged, descendants of
the ancient Norse Vikings who settled in Faroe prior to the settlement
of Iceland. They have kept the race pure. If asked his nationality, the
Faroeman proudly replies,—“I am a Faroeman.”
The men have a national costume, which is shown in the frontispiece
of this volume. This suit I purchased of Peter Arge in _Thorshaven_.
I asked him where I could obtain one of these suits and he took me to
the little bed room at the top of his house and asked me to try on his
best suit. I did it and found that it fitted closely, and so it was in
style in _Thorshaven_. He willingly sold it saying that he could make
another during the winter when there was no work. A brief description
of this costume is not out of place at this point. It consists of
knickerbockers, slashed at the knee and secured with four silver buttons
and a broad, double-hinged silver buckle. The waistcoat is scarlet,
fastened with six silver buttons. A continuous spray of forget-me-nots,
daintily worked with colored silk, extends down each edge of the
waistcoat and across the two diminutive pockets. A tightly fitting jersey
of homespun, with twenty-four silver buttons, twelve on a side, is put
over the waistcoat and over this, in cold weather, is worn a short heavy
jacket fastened with silver buttons of large size. This is used much as
we use an overcoat. The cap is of closely woven material in fine stripes
of red and blue; it has no visor, is cylindrical in shape and gathered at
the top in the form of a rosette, which is pulled down on the right hand
side and fastened at the edge of the cap. Thick, homespun stockings of
soft wool and sheepskin slippers,—or sometimes a Danish shoe with silver
buckles,—fastened around the ankles with red or white cord complete the
costume. No,—the Faroeman is not fully “dressed” without his beautifully
inlaid knife in a highly ornamented sheath fastened to his belt with a
twisted cord. This knife, as well as scores of similar knives from Faroe,
was made by Mr. Arge, who is expert at inlaying shell, silver and wood.
The suit was made in his own family and his daughter embroidered the
waistcoat.
Public-domain text, read in full here on John Shaqi.
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