It is the scholar Julian listening to the teachings of the seer Maximus who most attracts. Maximus predicts the advent of the Third Kingdom, the kingdom which is neither that of the Galilean nor of the Emperor. It is an empire that will harmonize both the empire of pagan sensuality and the empire of the spirit and bring forth the empire of man. That will be the Third Kingdom; "he is self-begotten the man who wills.... Emperor God--God Emperor. Emperor in the kingdom of the spirit,--and God in that of the flesh." This mystic thought recalls that Joachim of Flora, whose prophecies of the approaching Third Kingdom were approved bythe Franciscans, by that section which was called the Spirituals. There are some superb "purple patches" in Emperor and Galilean, particularly in the second drama. Jealous of the Redeemer, for he would be a world builder, he asks Maximus:-- "Where is he now? What if that at Golgotha, near Jerusalem, was but a wayside matter, a thing done, so to speak, in passing, in a leisure hour? What if he goes on and on, and suffers, and dies, and conquers, again and again, from world to world? O that I could lay waste the world! Maximus--is there no poison in consuming fire, that could lay creation desolate, as it was on that day when the spirit moved alone on the waters?" A second Alexander this, not groaning for more worlds to conquer, but eager to slay the Son of Man. Maximus has told him that, "You have tried to make the youth a child again. The empire of the flesh is swallowed up in the empire of the spirit. But the empire of the spirit is not final, any more than the youth is. "You have tried to hinder the growth of the youth--to hinder him from becoming a man. O fool, who have drawn your sword against that which is to be--against the third empire in which the twin-natured shall reign." After bewailing that the Galilean will live in succeeding centuries to tell the tale of the Emperor's defeat, Julian sees blood-red visions, the hosts of the Galilean, the crimson garments of the martyrs, the singing women, and all the multitudinous sent to overthrow him. In the ensuing battle he dies with the historic exclamation upon his lips,--"Thou hast conquered, O Galilean!" Wicksteed points out that Julian is a pedant, not a prophet. Again we may see operating in another environment a Peer Gynt on the throne, a Skule of the Pretenders. Julian doubted as did Skule his divine call; he did not really believe in himself, and under he went on his way to the Button-moulder. Emperor and Galilean has all the largeness of an epic and much of that inner play of spiritual functions which may be seen amplified in its two predecessors. The double drama was performed for the first time in its original language at the National Theatre, Christiania, March 20, 1903. It was played in German in connection with the celebration of Ibsen's seventieth birthday in Berlin in 1898, and earlier in 1896 at Leipsic. * * * * *