Iconoclasts: A Book of Dramatists: Ibsen, Strindberg, Becque, Hauptmann, Sudermann, Hervieu, Gorky, Duse and D'Annunzio, Maeterlinck and Bernard ShawHuneker, James
History
Iconoclasts: A Book of Dramatists: Ibsen, Strindberg, Becque, Hauptmann, Sudermann, Hervieu, Gorky, Duse and D'Annunzio, Maeterlinck and Bernard Shaw
Huneker, James
Dramatists; European drama -- 19th century -- History and criticism; European drama -- 20th century -- History and criticism
Strindberg is a man with an abnormal emotional temperament which he has
often allowed to master his judgment. If he had been a composer, while
his symphonies would have undoubtedly provoked abuse, they would not
have scandalized moralists--such is the peculiar vagueness of that art
in the domain of articulate thought. Some day the tone-symbols of music
will become a part of our consciousness, and then we may confidently
expect arrests, prosecutions, transportations, perhaps executions.
Luckily for the bold and imaginative thinkers, music remains the only
art, the last sanctuary wherein originality may reveal itself in the
face of fools and not pierce their mental opacity.
August Strindberg is a name little known to the English stage or
reading public. Yet his dramatic work dates back to 1872, when Meister
Olaf was composed. In this youthful essay he anticipated by seven years
the Nora type presented by Ibsen. His first novel appeared in 1879,
and in 1884, when Giftas was published, the stories in this violent
book nearly sent him to the Stockholm jail. It was 1888 before Gräfin
Julie was put forth, and this play originally in three acts brought
Strindberg European fame. Gläubiger, in 1889, confirmed the first
critical impression that a writer and thinker of a high order was come.
Strindberg's career has been a disordered one. Poverty interrupted his
studies at the Upsala University, made him a "super" in a theatre, and
drove him to journalism, and to become a doctor's assistant. Always
unhappy in his relation with women, often quite mad, and usually living
on the treacherous borderland of hallucination, his existence has been
fevered and miserable, though his successes are brilliant. Sanity
has not been his cardinal quality--he has more than once gone to the
asylum, emerging in a few months cured, and, remarkable as it sounds,
remembering the details of his mania. _Détraqué_, sick and cracked,
he nevertheless plunged into the study of chemistry, searching for a
universal solvent--a mad dream that would interest Balzac. Ideas almost
consumed the brain of this _cérébral_.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account