'As from the rose which the pale priestess kneels To gather for her festal crown of flowers, The aërial crimson falls, flushing her cheek, So from our victim's destined agony The shade which is our form invests us round; Else we are shapeless as our mother Night.' Or like those whose shapes the poet sees in _The Triumph of Life_, coming from the procession that follows the car of life, as 'hope' changes to 'desire,' shadows 'numerous as the dead leaves blown in autumn evening from a poplar tree'; and resembling those they come from, until, if I understand an obscure phrase aright, they are 'wrapt' round 'all the busy phantoms that live there as the sun shapes the clouds.' Some to sit 'chattering like apes,' and some like 'old anatomies' 'hatching their bare broods under the shade of dæmons' wings,' laughing 'to reassume the delegated powers' they had given to the tyrants of the earth, and some 'like small gnats and flies' to throng 'about the brow of lawyers, statesmen, priest and theorist,' and some 'like discoloured shapes of snow' to fall 'on fairest bosoms and the sunniest hair,' to be 'melted by the youthful glow which they extinguish,' and many to 'fling shadows of shadows yet unlike themselves,' shadows that are shaped into new forms by that 'creative ray' in which all move like motes. These ministers of beauty and ugliness were certainly more than metaphors or picturesque phrases to one who believed the 'thoughts which are called real or external objects' differed but in regularity of recurrence from 'hallucinations, dreams, and the ideas of madness,' and lessened this difference by telling how he had dreamed 'three several times, between intervals of two or more years, the same precise dream,' and who had seen images with the mind's eye that left his nerves shaken for days together. Shadows that were as when there 'hovers A flock of vampire bats before the glare Of the tropic sun, bringing, ere evening, Strange night upon some Indian vale,' could not but have had more than a metaphorical and picturesque being to one who had spoken in terror with an image of himself, and who had fainted at the apparition of a woman with eyes in her breasts, and who had tried to burn down a wood, if we can trust Mrs. Williams' account, because he believed a devil, who had first tried to kill him, had sought refuge there.