Then without further trouble the army of the future went upon its way. OUGHT STORIES TO BE TRUE? THERE was once upon a time a charming young lady, possessed of much taste, who was asked by her anxious parent, the years passing and family expenditure not decreasing, which of the numerous and eligible young men then paying court to her she liked the best. She replied, that was her difficulty; she could not make up her mind which she liked the best. They were all so nice. She could not possibly select one to the exclusion of all the others. What she would have liked would have been to marry the lot; but that, she presumed, was impracticable. I feel I resemble that young lady, not so much in charm and beauty as in indecision of mind, when the question is that of my favourite author or my favourite book. It is as if one were asked one’s favourite food. There are times when one fancies an egg with one’s tea. On other occasions one dreams of a kipper. To-day one clamours for lobsters. To-morrow one feels one never wishes to see a lobster again. One determines to settle down, for a time, to a diet of bread and milk and rice pudding. Asked suddenly to say whether I preferred ices to soup, or beef-steak to caviare, I should be completely nonplussed. There may be readers who care for only one literary diet. I am a person of gross appetites, requiring many authors to satisfy me. There are moods when the savage strength of the Bronte sisters is companionable to me. One rejoices in the unrelieved gloom of “Wuthering Heights,” as in the lowering skies of a stormy autumn. Perhaps part of the marvel of the book comes from the knowledge that the authoress was a slight, delicate young girl. One wonders what her future work would have been, had she lived to gain a wider experience of life; or was it well for her fame that nature took the pen so soon from her hand? Her suppressed vehemence may have been better suited to those tangled Yorkshire byways than to the more open, cultivated fields of life. There is not much similarity between the two books, yet when recalling Emily Bronte my thoughts always run on to Olive Schreiner. Here, again, was a young girl with the voice of a strong man. Olive Schreiner, more fortunate, has lived; but I doubt if she will ever write a book that will remind us of her first. “The Story of an African Farm” is not a work to be repeated. We have advanced in literature of late. I can well remember the storm of indignation with which the “African Farm” was received by Mrs. Grundy and her then numerous, but now happily diminishing, school. It was a book that was to be kept from the hands of every young man and woman. But the hands of the young men and women stretched out and grasped it, to their help. It is a curious idea, this of Mrs. Grundy’s, that the young man and woman must never think—that all literature that does anything more than echo the conventions must be hidden away.