Idling in Italy: Studies of literature and of lifeCollins, Joseph
History
Idling in Italy: Studies of literature and of life
Collins, Joseph
Italian literature -- History and criticism
He labored prodigiously to become a painter, and during his life he
succeeded in having five pictures hung in the Royal Academy exposition.
However, he never got out of Class C as a painter, and when he was
forty-one he forsook the brush for the pen. Meanwhile he had (according
to his father) killed his mother by the publication of "Erewhon,"
launched "The Fair Haven," got thoroughly enmeshed in the teachings of
Darwin and the contentions of Mivart, Lamarck, and others, plunged into
Hellenic literature to give it specificity of origin and display, and
was otherwise very busy pushing over statues of heroes which he mistook
for tin soldiers. Early in life he began keeping notes. His principle
was that if you wanted to record a thought you had to shoot it on the
wing. When he thought of or said anything especially illuminating or
amusing, or heard any one else say anything of the sort, down it went.
He was his own Boswell with all of that immortal's colloquiality and
ingenuousness. He did not hesitate to make frank comments on the people
he met, and photographic descriptions of such individuals, of his family
and friends, and their letters went to make up the novel (if novel a
narrative of fact can be called) through which he was made known to the
general public, and by which he will probably be longest remembered,
namely, "The Way of All Flesh." It was begun when he was thirty-one and
finished fifteen years later. Because it is autobiographical, and
biographical of his family and friends, he found the necessity of
frequently rewriting it, as time, event, and God changed them.
This is not the place to discuss the merits and demerits of that book.
It had an artificial popularity--Mr. G. Bernard Shaw being the
artificer. There was one thing about it concerning which every one
agreed: to pillory your parents in public is the equivalent of beating
them up in private.
The fourth of Samuel Butler's characteristics was insensitiveness to
what is generally called refinement or finer feeling. Though an artist
he had little æsthetic awareness. If he knew the canons of good taste he
did not subscribe to them. What he called his little jokes, which Mr.
Jones relates with great gustfulness, is the ample proof of this
accusation. "What is more subversive of a sultan's dignity than pinching
his leg? Pinching his sultana's leg." "We shall not get infanticide,
permission of suicide, cheap and easy divorce, and other social
arrangements till Jesus Christ's ghost has been laid." Cheap and vulgar
prostitution of intellectual possession a gentleman would call it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account