A couple of chairs are drawn up to the bedside, upon one of which
stands a blown-out candle; the other supports an oblong, coffin-shaped
box, narrower at one end than at the other, and painted black. Too
small for a coffin, however; no human corpse, at least, is contained
in it. But the frame that lies so quiet and motionless here, thrills,
when awaked to life, with a soul only less marvellous than man's. In
short, the coffin is a violin-case, and the mysterious frame the
violin. The Doctor must have been fiddling overnight, after getting
into bed; to the dissatisfaction, perhaps, of his neighbor on the
other side of the partition.
Little else in the room is worthy notice, unless it be the pocket-comb
which has escaped from the Doctor's waistcoat, and the shaving
materials (also pocketable) upon the wash-stand. Apparently our friend
does not stand upon much toilet ceremony. The room has nothing more of
significance to say to us; so now we come to the room's occupant. Our
eyes have got enough accustomed to the imperfect light to discern what
manner of man he may be.
Barely middle-aged; or, at a second glance, he might be fifteen to
twenty-five years older. His face retains the form of youth, yet wears
a subtile shadow which we feel might be consistent even with extreme
old age. The forehead is wide and low, supported by regular eyebrows;
the face beneath long and narrow, of a dark and dry complexion. In
sleep, open-mouthed, the expression is rather inane; though we can
readily imagine the waking face to be not devoid of a certain
intensity and comeliness of aspect, marred, however, by an air of
guarded anxiety which is apparent even now.
We prattle of the dead past, and use to fancy that peace must dwell
there, if nothing else. Only in the past, say we, is security from
jostle, danger, and disturbance; who would live at his ease must
number his days backwards; no charm so potent as the years, if read
from right to left. Living in the past, prophecy and memory are at
one; care for the future can harass no man. Throw overboard that
Jonah, Time, and the winds of fortune shall cease to buffet us. And
more to the same effect.
And yet it is not so. The past, if more real than the future, is no
less so than the present; the pain of a broken heart or head is never
annihilated, but becomes part and parcel of eternity. This uneasy
snorer here, for instance: his earthly troubles have been over years
ago, yet, as our fancy sees him, he is none the calmer or the happier
for that. Observe him, how he mumbles inarticulately, and makes
strengthless clutchings at the blanket with his long, slender fingers.
Public-domain text, read in full here on John Shaqi.
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