At the back of my garden I have a high brick wall. To whom the bricks
actually belong I cannot say, but at any rate I own the surface rights
on this side of it. One of my ideas is to treat it as the back cloth
of a stage, and paint a vista on it. A long avenue of immemorial elms,
leading up to a gardener's lodge at the top of the wall--I mean at the
end of the avenue--might create a pleasing impression. My workroom
leads out into the garden, and I have a feeling that, if the door of
this room were opened, and then hastily closed again on the plea that
I mustn't be disturbed, a visitor might obtain such a glimpse of the
avenue and the gardener's lodge as would convince him that I had come
into property. He might even make an offer for the estate, if he were
set upon a country house in the heart of London.
But you have probably guessed already the difficulty in the way of my
vista. The back wall extends into the gardens of the householders on
each side of me. They might refuse to co-operate with me; they might
insist on retaining the blank ugliness of theirs walls, or
endeavouring (as they endeavour now, I believe) to grow some
unenterprising creeper up them; with the result that my vista would
fail to create the necessary illusion when looked at from the side.
This would mean that our guests would have to remain in one position,
and that even in this position they would have to stand to
attention--a state of things which might mar their enjoyment of our
hospitality. Until, then, our neighbours give me a free hand with
their segments of the wall, the vista must remain a beautiful dream.
However, there are other possibilities. Since there is no room in the
garden for a watchdog and a garden, it might be a good idea to paint a
phosphorescent and terrifying watchdog on the wall. Perhaps a
watchlion would be even more terrifying--and, presumably, just as easy
to paint. Any burglar would be deterred if he came across a lion
suddenly in the back garden. One way or another, it should be possible
to have something a little more interesting than mere bricks at the
end of the estate.
And if the worst comes to the worst--if it is found that no flowers
(other than groundsel) will flourish in my garden, owing to lack of
soil or lack of sun--then the flowers must be painted on the walls.
This would have its advantages, for we should waste no time over the
early and uninteresting stages of the plant, but depict it at once in
its full glory. And we should keep our garden up to date. When
delphiniums went out of season, we should rub them out and give you
chrysanthemums; and if an untimely storm uprooted the chrysanthemums,
in an hour or two we should have a wonderful show of dahlias to take
their place. And we should still have the floor-space free for a
sundial, or--if you insist on exercise--for the last hoop and the
stick of a full-sized croquet-lawn.
The Game of Kings
Public-domain text, read in full here on John Shaqi.
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