The drift of the music seemed sadder than before, and there was a little silence when the last words floated away into the blackened rafters, a silence broken by one of the girls. "Enne, that was a sad song, Abbess," Isabeau sighed, and her face seemed to have paled beneath its false colours and the lines about her mouth and eyes to have grown older in surrender to inevitable thoughts. She whom the girl called Abbess laughed, and her mirth sounded harshly after the dreamy sweetness of her song. "Master François Villon made it for me t'other day," she answered. "' You will grow old, Idol,' he said, 'and I make you this song to teach you true things.'" Guy Tabarie, whose red hair bunched out like little flames from the fiery sun of his countenance, clapped his hands to the girl's waist and thrust his face near to hers. "Kiss me and forget it," he hiccoughed. The girl gave importunacy a little push which sent him staggering back to his seat. "I have no kisses for any Jack of you all but François," she said, while the others roared at the man's discomfiture. "Ah, there is no one of you that can write songs like him, or make one sad as he can in the midst of gladness." The girl whom purple-coated René had kissed so rudely shivered a little. "A strange reason for liking a man," she whispered, "that he make you sad." She glanced wistfully round at her companions: to the faces of the women the influence of the song had lent an unwonted softness, but had brought no touch of tenderness to those of the men. Jehan le Loup banged his fist heavily on the table in furious protestation till the cans and flagons rattled. "Is this a Court of Love?" he grunted, baring his yellow tusks in a swinish rage. "There are other rooms for love-making," and he jerked his thumb towards the roof. "We are here for drinking; we are here for dicing; to the devil with smocks and sonnets."