France -- History -- Louis XI, 1461-1483 -- Fiction; Villon, François, 1431-1463 -- Fiction
The king looked eagerly at his companion, who seemed wholly
uninterested in the narrative of the royal vision. "Dreams and
stars, stars and dreams," he sneered. "Leave dreams to weaklings,
sire." Louis frowned. "Don't sneer, gossip, but instruct, who are
these people?" and the sharp, lean face of the king thrust itself
forward a little, bird-like from the nest of its hood, in the
direction of the gamblers. His companion shrugged his shoulders.
"Some of the worst cats and rats in all Paris," he answered. "The
men belong to a fellowship that is called the Company of the
Cockleshells, and babble a cant of their own that baffles the
thief-takers. If your majesty--" but here a warning kick from Louis
made him wince and change his words-"if you wished to savour
rascality these are your blades. The women are trulls. Yonder
she-thing in the man's habit is Huguette du Hamel, a wild wench,
whom men call the Abbess for her nunnery of light o' loves. There be
four of her minions with her now, Jehanneton la belle Heaulmiere as
they name her, Denise the slipper-maker, Blanche and Isabeau. Oh,
they are delectable doxies!"
King Louis pursed his thin lips in austere censure. "They shall be
reproved hereafter," he said. "Who are the men?"
"Worthy Adams of such pestilent Eves," Tristan answered. "That
slender fellow in the purple jerkin is one René de Montigny, of
gentle birth, and a great breaker of commandments. He with the red
hair is Guy Tabarie; they are sworn brothers in bawdry and larceny.
The ferret-faced knave who is tickling the girl's knee is Jehan le
Loup. Bullies and bawds, pandars and parasites: to enumerate their
offenses would be to say the Decalogue backward."
"You have a pithy humour, gossip," and Louis grinned. "Our gallows
shall be busy anon."
Tristan was abcut to open his mouth in approval of a sentiment so
pleasing to his ears when his words and his purpose were alike
arrested by a sound of a voice singing outside the tavern door.
The voice was a man's voice, something rough and strained for fine
music, and yet with a kind of full and florid sweetness that carried
the words clearly through the red-curtained windows. They seemed to
make a complaint of Fortune:
"Since I have left the prison gate
Where I came near to say good-bye
To this poor life that needs must fly
From the malignity of Fate,
Perchance she now will pass me by
Since I have left the prison gate."
If the king pricked his ear to listen, and even Tristan moved a
little in his lethargy, the effect of the song upon the company of
gamblers was instant and pronounced. The Abbess leaped to her feet,
crying out: "It is the voice of François!" "It is indeed his own
unutterable pipe," agreed René de Montigny, sweeping his winnings
into his pouch. Robin Turgis raised his hands in a comical despair
as he muttered: "Here is the devil out of hell again." All the men
and women were looking eagerly at the door.
Public-domain text, read in full here on John Shaqi.
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