If Winter ComesHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
If Winter Comes
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Fiction
The Precincts has a discreet and beautiful sound, a discreet and
beautiful suggestiveness. High Street, Tidborough, or Cheapside,
Tidborough, or Commercial Street, Tidborough, have only to be compared
with The Precincts, Tidborough, to establish the discretion and beauty
of the situation of the firm. And the names of the firm were equally
euphonious and equally suggestive of high decorum and cultured
efficiency. Fortune, East and Sabre had a discreet and beautiful sound.
Finally Tidborough, the last line of the poem, though not in itself
either discreet or beautiful, being intensely busy, suggested to all the
cultured persons from bishops to bursars, with whom business was done,
the discreet and beautiful lines of Tidborough Cathedral and of
Tidborough School, together with all that these venerable and famous
institutions connoted. Not Winchester itself conveys to the cultured
mind thoughts more discreet and beautiful than are conveyed by
Tidborough. The care of the cathedral, for many years in a highly
delicate state of health, and the care of the school, yearly ravaged by
successive generations of the sons of those who could afford to educate
their sons there were, it may be mentioned, established sources of
income to the firm.
Thus the whole style and title of the firm had a discreet and beautiful
sound, in admirable keeping with its business. Fortune, East and Sabre,
The Precincts, Tidborough. Was any one so utterly removed from affairs
as not to know them as ecclesiastical furnishers? "They're at
Tidborough. They _do_ Tidborough" (meaning the world-famous cathedral).
Or as scholastic providers? "They're at Tidborough. They _do_
Tidborough" (meaning the empire-famous school).
The frontage of Fortune, East and Sabre on The Precincts consisted of a
range of three double-fronted shops. The central shop gave one window to
a superb lectern in the style of a brass eagle whose outstretched wings
supported a magnificent Bible; to a richly embroidered altar cloth on
which stood a strikingly handsome set of communion plate; to a font
chastely carried out in marble; to an altar chair in oak and velvet that
few less than a suffragan bishop would have dared take seat in; and to
an example or two of highest art in needlework and embroidery in the
form of offertory bags and testament markers. The other window of the
central shop was a lesson to the profane in the beauty, the dignity and
the variety of vestments. It also informed rural choirboys, haply in
Tidborough on a treat, what surplices can be like if the funds and the
faith are sufficiently high to support them.
Public-domain text, read in full here on John Shaqi.
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