Let us see what can be done with it. Here, for instance, is a sentence which was taught me in the nursery, for its alleged tongue-twisting quality: "She stood at the door of Burgess's fish-sauce shop, Strand, welcoming him in." In that form it is not impressive, but now note what one of these staccato merchants might make of it. "Across the roaring Strand red and green lights spelling on the gloom. 'BURGESS'S FISH-SAU.' A moment's darkness and again 'BURGESS'S FISH-SAU.' Like that. Truncated. The final --CE not functioning. He had to look though it hurt him. Hurt horrible. Damnably. And his eyes traveled downward. "Suddenly and beyond hope she! Isobel-at-the-last. Standing in the doorway. White on black. Slim. Willowy. Incomparable. Incommensurable. She saw him and her lips rounded to a call. He sensed it through the traffic. Come in. Calling and calling. Come in. "Come in.... "Out of the rain." It is like a plaintive hymn sung to a banjo accompaniment. Incidentally it illustrates another favorite trick of these gentlemen--the introduction of a commonplace or even jarring detail into a romantic scene in order to increase its appearance of reality. It is quite a good trick. IV And sometimes, not every day but sometimes, one gets a little weary even of the best tricks. Need the author depend quite so much on the printer for his effects? Scenes and passages in a book seem to be standing very near the edge, and the wanton thought occurs to one that a little shove would send them over. In fact, one gets irritable. And then anything bad may happen. This parody for instance. IF WINTER DON'T CHAPTER I Luke Sharper. Age, thirty-four. Married, but not much. Private residence, Jawbones, Halfpenny Hole, Surrey. Favorite recreation, suffering. Favorite flower---- Oh, drop it! Let us rather listen to Mr. Alfred Jingle, solicitor, talking to his artist friend. "Met Sharper yesterday. Remember him at the old school? Flap Sharper we called him. Not that they really did flap. His ears, I mean. They just crept up and bent over when he was thinking hard. People came to see it. Came from miles around. "Rum chap. Rum ways. Never agreed with anybody present, including himself. Always inventing circumstantial evidence to convict himself of crimes he had never committed. Remember the window? Half-brick came flying through it. Old Borkins looked out. Below stood Flap Sharper with the other half-brick in his hand. Arm drawn back. No other boy in sight. The two halves fitted exactly. It certainly looked like it. Poor old Flap found that it felt like it, too. But he had never chucked that half-brick. Ogilvie did it. Remember him? The one we called Pink-eye. Have a drink?