Nor are these all that could be named, for by no means least among them we may quote Monte Cassino, many of whose elegant productions have been published by the present occupants of the monastery. Then the Greek miniaturists of the eleventh century are once more to the front. The famous Slav Evangeliary of Ostromir (1056-67) shows us a MS. probably executed for a governor of Novgorod, which contains by no means despicable work, whether in the figures of the evangelists or the ornamental borders. Of course, in Greek MSS. we know pretty well what to expect; fairly good ornament, rich details of embroidery, etc., wilfulness of colour in architecture, mannerism in the attitudes and faces, but good, clever technic and bright gold. Lastly, there is the celebrated Evangeliary given to San Benedetto of Mantua by the Countess Matilda now in the Vatican, enriched with little miniatures from the Life of the Virgin, which Lanzi declares surpass everything else he ever saw of the same period. The Poitevin MS. at Poitiers, a biographical compilation of saints in honour of St. Radegonde, though nothing wonderful, is worth recording as a transitional example just before the close of the century. As an example of the latter part of a continual deterioration, it should be worse than anything preceding. Yet it is not so. It is certainly heavy and rather dull, and the drawing far from excellent, but it is also, on the other hand, far from "frankly horrible." In introducing examples of other schools into this chapter the writer's object has solely been to vindicate the illuminators of the eleventh century from the sweeping charge sometimes made against them of absolute deterioration. Of the school directly under our notice, the charge is certainly not true, and the wretched stuff cited in support of it can only be looked upon as accidental salvages of no artistic value whatever. In proof that the book-work of the eleventh century was not all worthless, we may refer to just one example. It is a MS. consisting of but a few fragments executed at Luxeuil under Abbat Gerard II. The remains are such as to cause regret for the loss of the rest. On one page Christ is shown seated on a rich _sella_ covered with an embroidered cushion in the manner of the consular diptychs. He is clothed in a pale yellow tunic, over which is worn a purple pallium with a white border. He is beardless, and his brown hair is kept close to the head and neck, and falls over the shoulders. The feet are nude and by no means ill-drawn. Surrounding the head is a cruciform nimbus enclosed in a circle--both cross and circle being pale green, the latter outlined with red. The chief fault of the head is the excessive length of the nose and the wide stare of the eyes. The right arm is raised somewhat as in the St. Sernin Evangeliary, but with the palm outwards, and much superior in drawing.