Illuminated manuscripts in classical and mediaeval times, their art and their techniqueMiddleton, J. H. (John Henry)
History
Illuminated manuscripts in classical and mediaeval times, their art and their technique
Middleton, J. H. (John Henry)
Illumination of books and manuscripts; Manuscripts
We may indeed hope that even now some priceless lost work of early Greece
may be recovered by the discovery of similar lead rolls to those which
Cesnola found in Cyprus.
_Gold amulets._
Some very beautiful little Greek manuscripts, written on thin plates of
gold, have also been discovered at various places. The most remarkable of
these were intended for amulets, and were rolled up in little gold or
silver cylinders and worn round the neck during life. After death they were
placed with the body in the tomb. Several of these, discovered in tombs in
the district of Sybaris in Magna Graecia, are inscribed with fragments from
the mystic Orphic hymns, and give directions to the soul as to what he will
find and what he must do in the spirit-world.
_Petelia tablet._
The most complete of these little gold manuscripts, usually known as the
Petelia tablet, is preserved in the gem-room in the British Museum. The
manuscript consists of thirteen hexameter lines written on a thin plate of
pure gold measuring 1½ inches by 2-5/8 inches in width; it dates from the
third century B.C.[2]
In classical times, manuscripts were of two different forms; first, the
_book_ form, [Greek: pinax], [Greek: pinakion] or [Greek: deltion], in
Latin _codex_ (older spelling _caudex_); and secondly the roll, [Greek:
kylindros], [Greek: biblos] or [Greek: biblion], Latin _volumen_[3].
_Waxed tablets._
_Manuscripts on tablets._ Both the Greeks and the Romans used very largely
tablets ([Greek: pinakes], Lat. _tabulae_ or _cerae_) of wood covered with
a thin coating of coloured wax, on which the writing was formed with a
sharp-pointed _stilus_ ([Greek: graphis]) of wood, ivory or bronze. The wax
was coloured either black or red in order that the writing scratched upon
it might be clearly visible. The reverse end of the stilus was made flat or
in the shape of a small ball so that it could be used to make corrections
by smoothing out words or letters which had been erroneously scratched in
the soft wax.
_Waxed diptychs._
These tablets were commonly about ten to fourteen inches in length by about
half that in width. The main surface of each tablet was sunk from 1/8 to
1/10 of an inch in depth to receive the wax layer, leaving a rim all round
about the size of that round a modern school-boy's slate. The object of
this was that two of these tablets might be placed together face to face
without danger of rubbing and obliterating the writing on the wax, which
was applied in a very thin coat, not more than 1/16 of an inch in
thickness. As a rule these tablets were fastened together in pairs by stout
loops of leather or cord. These double tablets were called by the Greeks
[Greek: pinakes ptyktoi] or [Greek: diptycha] (from [Greek: dis] and
[Greek: ptyssô]) and by the Romans _pugillares_ or _codicilli_. Homer
(_Il._ VI. 168) mentions a letter written on folding tablets--
[Greek: poren d' ho ge sêmata lygra]
[Greek: Grapsas en pinaki ptyktô.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account