Illuminated manuscripts in classical and mediaeval times, their art and their techniqueMiddleton, J. H. (John Henry)
History
Illuminated manuscripts in classical and mediaeval times, their art and their technique
Middleton, J. H. (John Henry)
Illumination of books and manuscripts; Manuscripts
5. Besides these books of actual Services there was another, absolutely
necessary for the right understanding and definite use of those already
mentioned. This was the _Ordinale_, or book containing the general rules
relating to the _Ordo divini servitii_. It is the _Ordinarius_ or
_Breviarius_ of many Continental churches. Its method was to go through
the year and show what was to be done; what days were to take precedence
of others; and how, under such circumstances, the details of the
conflicting Services were to be dealt with. The basis of such a book
would be either the well-known Sarum _Consuetudinarium_, called after St.
Osmund, but really drawn up in the first quarter of the thirteenth
century, the Lincoln _Consuetudinarium_ belonging to the middle of the
same century, or other such book. By the end of the fifteenth century
Clement Maydeston's _Directorium Sacerdotum_, or Priests' Guide, had
superseded all such books, and came itself to be called the Sarum
_Ordinale_, until, about 1508, the shorter Ordinal, under the name of
_Pica Sarum_, "the rules called the Pie," having been cut up and
re-distributed according to the seasons, came to be incorporated in the
text of all the editions of the Sarum Breviary.
H. B.
CAMBRIDGE,
_March 17, 1881_.
Mr Micklethwaite has kindly pointed out to me the following passage from
the Cistercian _Consuetudines_ (Guignard, _Documents inédits_, Dijon,
1878, p. 174), cap. LXXII, "Nullus ingrediatur coquinam excepto cantore
et scriptoribus ad planandam tabulam, ad liquefaciendum incaustum, ad
exsiccandum pergamenum...." That is, the kitchen fire might be used for
melting the wax on the tablets, so that a fresh list of names could be
written (see above, p. 8), for liquefying frozen ink, and for drying the
vellum skins ready for writing on.
CAMBRIDGE: PRINTED BY C. J. CLAY, M.A. AND SONS, AT THE UNIVERSITY PRESS.
SOME PUBLICATIONS OF
The Cambridge University Press.
THE ENGRAVED GEMS OF CLASSICAL TIMES, with a Catalogue of the Gems in the
Fitzwilliam Museum, by J. HENRY MIDDLETON, M.A., Slade Professor of Fine
Art, and Director of the Fitzwilliam Museum, Cambridge. Royal 8vo.
Buckram, 12_s._ 6_d._
THE LEWIS COLLECTION OF GEMS AND RINGS in the possession of Corpus
Christi College, Cambridge, with an Introductory Essay on Ancient Gems by
J. HENRY MIDDLETON, M.A. Royal 8vo. Buckram, 6_s._
THE TYPES OF GREEK COINS. By PERCY GARDNER, Litt.D., F.S.A. With 16
Autotype plates, containing photographs of Coins of all parts of the
Greek World. Impl. 4to. Cloth extra, £1. 11_s._ 6_d._; Roxburgh (Morocco
back), £2. 2_s._
ESSAYS ON THE ART OF PHEIDIAS. By C. WALDSTEIN, Litt. D., Reader in
Classical Archæology in the University of Cambridge. Royal 8vo. 16
Plates. Buckram, 30_s._
Public-domain text, read in full here on John Shaqi.
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