Illuminated manuscripts in classical and mediaeval times, their art and their techniqueMiddleton, J. H. (John Henry)
History
Illuminated manuscripts in classical and mediaeval times, their art and their technique
Middleton, J. H. (John Henry)
Illumination of books and manuscripts; Manuscripts
_Late survivals of writing on tablets._ Before passing on to describe other
forms of classical manuscripts, it may be interesting to note that the
ancient waxed tablets or _pugillares_ continued to be used for certain
purposes throughout the whole mediaeval period, down to the sixteenth
century or even later. Many of the principal churches, especially in Italy,
but also in other countries, possessed one or more diptychs on which were
inscribed the names of all those who had in any way been benefactors either
to the ecclesiastical foundation or to the building. In early times, during
the daily celebration of Mass, the list of names was read out from the
_diptych_ by the Deacon standing in the gospel ambon; and the congregation
was requested or "bid" to pray for the souls of those whose names they had
just heard.
"_Bidding the beads._"
The "bidding prayer" before University sermon at Oxford and Cambridge is a
survival of this custom, which in the fifteenth century was termed "bidding
the beads," that is "praying for the prayers" of the congregation. In some
cases fine specimens of the old ivory _Consular diptychs_ were used for
this purpose in Italian churches till comparatively late times, but as a
rule they fell into disuse before the eleventh or twelfth century, as the
list of names became too long for the waxed leaves of a diptych, and so by
degrees vellum rolls or else _codices_, often beautifully written in gold
and silver letters, were substituted. One of the most splendid of these
lists, the _Liber vitae_ of Durham, is now preserved in the British Museum;
_Cotton manuscripts_, Domit. 7. 2.
For many other purposes, both ecclesiastical and secular, the classical
waxed tablets were used in England and on the Continent, especially for
lists of names, as for example in great Cathedral or Abbey churches the
list for the week of the various priests who were appointed to celebrate
each mass at each of the numerous altars.
_List of guild-members._
The British Museum possesses a very interesting late example of a waxed
tablet which in shape, size and general appearance is exactly like the
Roman _pugillares_. This is an oak tablet, about 20 inches long by 10
inches wide, covered with a thin layer of wax protected by the usual
slightly raised margin about half an inch wide. Along one edge are three
holes with leather loops to form the hinges; the other leaf is lost. On the
wax is inscribed a list of the names of the members of a Flemish guild;
each name is still as sharp and legible as the day it was written. The form
of the writing shows that it belongs to the end of the fifteenth century.
Such tablets were used both by the trade guilds of the middle ages and by
the religious guilds formed for the cult of some special Saint.
_Wooden Book._
Public-domain text, read in full here on John Shaqi.
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