Illuminated manuscripts in classical and mediaeval times, their art and their techniqueMiddleton, J. H. (John Henry)
History
Illuminated manuscripts in classical and mediaeval times, their art and their technique
Middleton, J. H. (John Henry)
Illumination of books and manuscripts; Manuscripts
In Egyptian manuscripts red ink is used much more copiously than either in
Greek or Latin manuscripts. Very often the scribe writes his columns
alternately in black and red for the sake of the decorative appearance of
the page.
_Pen-cases._
Egyptian pen-cases in the form of a bronze tube about ¾ inch in diameter
and 10 inches long with a tightly fitting cap have frequently been found.
The British Museum possesses good examples of these, and of the other
writing implements here described.
_Reed pens._
The above-mentioned passage in the _Edict of Diocletian_ (see page 28)
gives the prices of reed pens ([Greek: kalamoi]) of various qualities. The
difference is very great between the best and the inferior kinds of pens;
the best quality appears to have been made from the long single joint of a
reed.
There is no evidence that quill pens were used in classical times, but it
is difficult to believe that so natural an expedient never occurred to any
ancient scribe, especially when the use of vellum for manuscripts came in;
for papyrus paper the softer reed pen would be more convenient than a
quill, and indeed for all the earlier sort of Greek and Latin writing in
large _uncial_ characters. It is only for the smaller _cursive_ writing
that a quill would be as suitable as a reed pen.
The inscription mentioned at p. 24 as giving the cost of paper in Athens in
407 B.C. is part of a record of the expenses of building the Erechtheum. It
also mentions the purchase for 4 drachmae of 4 wooden writing-tablets,
[Greek: chartai eônêthêsan duo, es has ta antigrapha enegrapsamen]
|- |- | | | |
[Greek: Sanides tettares] |- |- |- |-
CHAPTER III.
CLASSICAL ILLUMINATED MANUSCRIPTS.
_Illumination._
The mediaeval phrase _illuminated manuscript_ means a manuscript which is
"lighted up" with coloured decoration in the form of ornamental
initial-letters or painted miniatures. Dante speaks of "The art which in
Paris is called illuminating,"
_... quell' arte
Che alluminare è chiamata in Parisi_; _Purg._ XI. 80.
_Use of minium._
The important use that was made of red paint (_minium_) in the decoration
of manuscripts led to the painter being called a _miniator_, whence the
pictures that he executed in manuscripts were called _miniature_ or
_miniatures_. Finally the word _miniature_ was extended in meaning to imply
any painting on a _minute_ scale[21]. Originally, however, it was only
applied to the painted decorations of manuscripts.
_Egyptian miniatures._
The Egyptian manuscript "Books of the Dead" are very copiously illuminated
with painted miniatures, both in the form of ornamental borders along the
edge of the papyrus, and also with larger compositions which occupy the
whole depth of the roll.
Public-domain text, read in full here on John Shaqi.
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