I observed that this retrospective appreciation of time depended on the degree of connection between the successive experiences. This condition is very much the same as the other just given, namely, the degree of uniformity of the experiences, since the more closely the successive stages of the experience are connected--as when, for example, we are going through our daily routine of work--the more quiet and unexciting will be the transition from each stage to its succeeding one. And on the other hand, all novelty of impression and exciting transition of experience clearly involves a want of connection. Wundt thinks the retrospective estimate of a connected series of experiences, such as those of our daily round of occupations, is defective just because the effort of attention, which precedes even an imaginative reproduction of an impression, so quickly accommodates itself in this case to each of the successive steps, whereas, when the experiences to be recalled are disconnected, the effort requires more time. In this way, the estimate of a past duration would be coloured by the sense of time accompanying the reproductive process itself. This may very likely be the case, yet I should be disposed to attach most importance to the number of distinguishable items of experience recalled. Our representation of the position of a given event in the past is, as I have tried to show, determined by the movement of imagination in going back to it from the present. And this is the same thing as to say that it depends on our retrospective sense of the intervening space. That is to say, the sense of distance in time, as in space, is the recognition of a term to a movement. And just as the distance of an object will seem greater when there are many intervening objects affording points of measurement, than when there are none (as on the uniform surface of the sea), so the distance of an event will vary with the number of recognized intervening points. The appreciation of the distance of an event in time does not, however, wholly depend on the character of this movement of imagination. Just as the apparent distance of a visible object depends _inter alia_ on the distinctness of the retinal impression, so the apparent temporal remoteness of a past event depends in part on the degree of intensity and clearness of the mnemonic image. This is seen even in the case of those images which we are able distinctly to localize in the time-perspective. For a series of exciting experiences intervening between the present and a past event appears not only _directly_ to add to our sense of distance by constituting an apparently long interval, but _indirectly_ to add to it by giving an unusual degree of faintness to the recalled image. An event preceding some unusually stirring series of experiences gets thrust out of consciousness by the very engrossing nature of the new experiences, and so tends to grow more faint and ghost-like than it would otherwise have done.