Common sense, knowing nothing of fine distinctions, is wont to draw a sharp line between the region of illusion and that of sane intelligence. To be the victim of an illusion is, in the popular judgment, to be excluded from the category of rational men. The term at once calls up images of stunted figures with ill-developed brains, half-witted creatures, hardly distinguishable from the admittedly insane. And this way of thinking of illusion and its subjects is strengthened by one of the characteristic sentiments of our age. The nineteenth century intelligence plumes itself on having got at the bottom of mediaeval visions and church miracles, and it is wont to commiserate the feeble minds that are still subject to these self-deceptions. According to this view, illusion is something essentially abnormal and allied to insanity. And it would seem to follow that its nature and origin can be best studied by those whose speciality it is to observe the phenomena of abnormal life. Scientific procedure has in the main conformed to this distinction of common sense. The phenomena of illusion have ordinarily been investigated by alienists, that is to say, physicians who are brought face to face with their most striking forms in the mentally deranged. While there are very good reasons for this treatment of illusion as a branch of mental pathology, it is by no means certain that it can be a complete and exhaustive one. Notwithstanding the flattering supposition of common sense, that illusion is essentially an incident in abnormal life, the careful observer knows well enough that the case is far otherwise. There is, indeed, a view of our race diametrically opposed to the flattering opinion referred to above, namely, the humiliating judgment that all men habitually err, or that illusion is to be regarded as the natural condition of mortals. This idea has found expression, not only in the cynical exclamation of the misanthropist that most men are fools, but also in the cry of despair that sometimes breaks from the weary searcher after absolute truth, and from the poet when impressed with the unreality of his early ideals.