Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
THALES of Miletus: “Who hateth suretyship is sure.”
BIAS of Priene: “Most men are bad.”
CLEOBU’LUS of Lindus: “Avoid extremes.”
PIT’TACUS of Mytilene: “Seize time by the forelock.”
PERIANDER of Corinth: “Nothing is impossible to industry.”
CHAPTER V.
_GOLDEN AGE OF GRECIAN LITERATURE._
(480-330 B.C.)
=The Attic Period.=—In their wars with the Persians (492-479 B.C.),
the Hellenic people fully demonstrated their military superiority,
vindicating their manhood on the fields of Marathon and Platæa, and
in the sea-fight with Xerxes at Salamis. Under the stimulus of these
national triumphs, conducing to national unity, as well as of the free
institutions now generally established, the Greek mind was awakened to
renewed action; literature made unprecedented growth, and in the fifth
century B.C. matured its choicest products.
Athens, the laurel-crowned saviour of Greece, hitherto but an
indifferent contributor to art and poetry, now became the centre of
letters, aspiring through her statesman Pericles (469-429 B.C.) to
both literary and political supremacy. Her Attic dialect, nervous but
not rough, harmonious without a too effeminate softness—the perfection
of the Greek language—materially helped to make her the “mother of
eloquence,” the home of poets and philosophers, the school of the
nations; while Pericles extended her imperial dominion over many
cities and islands, and filled her coffers with their tribute. Her
sculptor Phidias devoted his genius to the erection and decoration of
public edifices; his grand creations in marble adorned her fanes; and
the Parthenon, whose classic beauty has passed into a proverb, owed
to him its graceful embellishments as well as its renowned statue of
Minerva. Another colossal image of the goddess surmounted the Athenian
Acropolis, which was crowned with noble temples; and votaries of the
sister art added to the attractions of the city with their brush and
colors.
It was at this noonday of Attic glory that Grecian literature reached
its meridian. Then lyric verse climbed to heights before unattained;
and dramatic poetry, tragic and comic, held its listeners spell-bound.
History found distinguished representatives in Herodotus the Ionian,
and later in Thucydides and Xenophon, the Athenians. Philosophy, in no
other age or clime, has had worthier teachers than Socrates, Plato,
and Aristotle; while the art of persuasion seemed to be impersonated
in Pericles, Isoc’rates, Æschines (_es’ke-neez_), Demosthenes—all true
sons of Attica.
LYRIC POETRY.
=Pindar.=—Lyric poetry culminated in the sublime odes of Pindar, who
ushered in the golden age. Pindar was born of noble parents about 520
B.C., near Thebes, a city of Bœotia. The celestials are fabled to have
danced at his birth, and the dropping of honey on his infant lips by a
swarm of bees was interpreted as an omen of a brilliant literary career.
Public-domain text, read in full here on John Shaqi.
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