Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
When, on the assassination of Philip, Alexander mounted the throne and
embarked on that expedition which extended the sway of Macedon over
half the known world, he showed his gratitude by making his instructor
a munificent present equivalent to nearly $1,000,000, and employed
two or three thousand men to fill his cabinets with specimens. Thus
supplied with material and funds, Aristotle, established in Athens
since 335 B.C. as a distinguished teacher despite his traditional lisp
and insignificant appearance, vigorously prosecuted his scientific
labors. At the Lyce’um, Apollo’s temple, he gave instruction to his
disciples, walking up and down in the covered paths (_peripatoi_) about
the building—whence the name of his school, _Peripatetic_. He mastered
all existing knowledge, regarding learning as “an ornament to men in
prosperity, a refuge in adversity;” and for thirteen years divided his
time between his pupils and his literary work.
The news of Alexander’s sudden death was the signal for Aristotle’s
enemies, no longer restrained by fear of his royal friend, to show
their hand. Impiety was alleged against him; but mindful of the fate
of Socrates, and, as he said, to prevent the Athenians from sinning a
second time against philosophy, he retired to Chalcis on the island of
Eubœa, where he died within a year.
PHILOSOPHY AND WRITING OF ARISTOTLE.—While to some extent following
his master, from several of Plato’s doctrines Aristotle felt compelled
to dissent; truth, he said, was dearer to him than any friend.[35]
He did not accept the Ideal theory, but inclined to materialism or to
pantheism, making _reason_ divine and omnipresent. He doubted his own
immortality, holding that the soul could not exist apart from the body,
and that there is “nothing good or bad beyond to the dead.” His style
was dry, elliptical, and full of technicalities; if we compare it with
Plato’s, we have the opposite poles of the magnet.
Plato was all imagination, Aristotle was thoroughly practical. The
inspiration of the one was a passionate love of wisdom; the forte of
the other was power of analysis, a wonderful faculty of systemizing
knowledge. The master captivated the heart; the pupil convinced the
reason. “The philosophy of Plato,” says Dr. Draper, “is a gorgeous
castle in the air; that of Aristotle is a solid structure laboriously
founded on rock.”
Aristotle’s style is devoid of ornament, and his subjects are too
abstruse for the general run of readers; but he was a keen observer
and a close reasoner. A few paragraphs from his Rhetoric, in which he
analyzes the peculiarities of old age, will show how well he understood
human nature.
THE DISPOSITION OF THE OLD.
Public-domain text, read in full here on John Shaqi.
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