Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
Against the philosophers of his day, whom he looked upon as miserable
charlatans, Lucian launched the laughable Dialogue entitled “the Sale
of the Philosophers,” in which the founders of the old schools are
disposed of at auction by Jupiter in a slave-market, Mercury playing
the part of auctioneer. Pythagoras is put up first and sells for $175;
Diogenes, the next, brings less than sixpence; while Socrates commands
the high price of two talents. Pyrrho, the universal doubter, will not
believe that he has been sold, even after he has seen himself paid for
and delivered. The laughing Democritus and weeping Heraclitus fail to
find a purchaser. The attempted sale of these two philosophers is thus
depicted:—
“JUPITER.—Bring out another. Stay—those two there, that fellow from
Abdera, who is always laughing, and the Ephesian, who is always
crying; I’ve a mind to sell them as a pair. MERCURY.—Stand out
there in the ring, you two.—We offer you here, sirs, two most
admirable characters, the wisest we’ve had for sale yet.
CUSTOMER.—By Jove, they’re a remarkable contrast! Why, one of them
never stops laughing, while the other seems to be in trouble about
something, for he’s in tears all the time. Holloa, you fellow! what’s
all this about? What are you laughing at?
DEMOCRITUS.—Need you ask? Because everything seems to me so
ridiculous—you yourselves included.
CUSTOMER.—What! do you mean to laugh at us all to our faces, and mock
at all we say and do?
DEMOCRITUS.—Undoubtedly; there’s nothing in life that’s serious.
Everything is unreal and empty—a mere fortuitous concurrence of
indefinite atoms.
CUSTOMER.—You’re an indefinite atom yourself, you rascal! Confound
your insolence, won’t you stop laughing? But you there, poor soul [_to
Heraclitus_], why do you weep so? for there seems more use in talking
to you.
HERACLITUS.—Because, stranger, everything in life seems to me to call
for pity and to deserve tears; there is nothing but what is liable to
calamity; wherefore I mourn for men and pity them. The evil of to-day
I regard not much: but I mourn for that which is to come hereafter—the
burning and destruction of all things. This I grieve for, and that
nothing is permanent, but all mingled, as it were, in one bitter
cup—pleasure that is no pleasure, knowledge that knows nothing,
greatness that is so little, all going round and round, and taking
their turn in this game of life.
CUSTOMER.—What do you hold human life to be then?
HERACLITUS.—A child at play, handling its toys, and changing them
with every caprice.
CUSTOMER.—And what are men?
HERACLITUS.—Gods—but mortal.
CUSTOMER.—And the gods?
HERACLITUS.—Men—but immortal.
CUSTOMER.—You speak in riddles, fellow, and put us off with puzzles.
You are as bad as Apollo Loxias, giving oracles that no man can
understand.
HERACLITUS.—Yea; I trouble not myself for any of ye.
CUSTOMER.—Then no man in his senses is like to buy you.
Public-domain text, read in full here on John Shaqi.
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