Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
The word _Veda_ means _knowledge_. The Mantra, or “song” portion of
the Veda, is divided into four parts: the Rig-Veda (_knowledge of the
stanzas_), or Veda of hymns; the Sâma-Veda, of tunes or chants, and the
Yajur-Veda, of sacrificial rites (prayers)—both purely ritualistic; and
the Artharva-Veda, in the main a collection of incantations and spells:
Each of the last-named Vedas is a medley of extracts from the Rig-Veda,
with additions from outside sources. Thus it will be seen that the
Hindoos were believers in the efficacy of sacrifices, some of which
were prolonged for months and even years, as well as of talismans,
charms, and incantations to ward off disease, bring riches, and inspire
love.
To the metrical parts of the Vedas are attached the Brâhmanas, which
abound in tedious descriptions of rites, and were written long
after in prose to explain the hymns. There are also collections of
rules for worship and sacrifice; and speculations on philosophy and
religion, which display no little acuteness, for the Hindoo mind seems
to have been prone to metaphysical investigation and ingenious in
reasoning even to the verge of sophistry. Supplements to the Vedas
contain abundant commentaries on their grammar and language, as well
as astronomical facts—the latter mainly borrowed from other nations
and not based on original researches or discoveries. Finally, the
Upave’das (_oo-pă-vā’dăz_—_appended_) treat of diseases and their cure,
devotional music, the use of weapons, and the arts; while the Purânas
(_poo-rah’năz_), of more recent birth, believed to have been revealed
from heaven like the Vedas, present in verse the mythology of India and
the history of its legendary age.
=Religion of the Veda.=—The Supreme Being first acknowledged by the
Aryans was gradually lost sight of, and a worship of Nature arose.
In the 1,028 hymns of the Rig-Veda (by several hundred authors,
and comprising 10,580 verses), “thrice eleven” gods are invoked as
intelligent beings, the principal of whom are Varuna (_vur’oo-nah_)—god
of waters, the sun, the moon, the day, fire, the storm (Indra), the
dawn, and the earth; and to “the three and thirty,” offerings were
made of cakes, wine, and grain. They were immortal; clothed with power
to answer prayer, and punish those who offended them. But as each
great god is recognized as supreme in different hymns, it is with good
reason thought that, under various names, one omnipotent Being is
worshipped, called in the Veda “God above all gods,” “that One alone
who has upheld the spheres.” “Wise poets,” says the Rig-Veda, “make the
Beautiful-winged, though he is one, manifold by words.”[5]
In the following hymn to Varuna is apparent the belief that evil-doing
is hateful to the Almighty, that man is by nature prone to sin, and
that God stands ready to exercise forgiveness.
HYMN TO VARUNA.
(We have given Max Müller’s literal translation a dress of verse, the
better to bring out the effect of the refrain.)
Public-domain text, read in full here on John Shaqi.
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