Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
This, however, was not to be; a sudden change took place in the
disposition of the prince, when his mother was charged with conspiring
against him. It was her life or his; and Nero won. The taste of blood
transformed him into a monster, and he forthwith entered upon a reign
of horrors that has no equal in history. Virtue was now the surest
road to ruin. Falsely accused of complicity in a conspiracy, Seneca
was sentenced to put an end to his own life (65 A.D.). With perfect
calmness he received the royal mandate, and caused his veins to be
severed; but the blood flowing too slowly, he entered a vapor-bath and
ended his sufferings by suffocation. His wife Paulina elected to die
with him, and in the same manner; but Nero had her veins ligatured,
and thus added several years of misery to her life. To his friends,
Seneca was permitted to leave no more valuable legacy than his virtuous
example.
Seneca was a great moral leader, the first of a class of philosophers
who aimed at winning the people back to the virtue of primitive Rome.
His teachings were in strange contrast to the age in which he lived;
they bear a striking resemblance to those of the Gospel, with which he
may have become acquainted through St. Paul. The fathers of the Church
were loud in their praises of “the divine pagan,” but there is no
evidence that, as some have stated, Seneca was persuaded by the apostle
to become a Christian.
Our philosopher is described as simple in his tastes. Though the
envied possessor of a princely fortune, he could consistently write
in support of temperance on his table of gold. A cupful of water from
the brook was sweeter to him than beakers of Italy’s choicest wines,
and the fruits of the wild wood he preferred to the luxurious dishes
fashion required him to spread before the rich and great. His fault was
weakness, which betrayed him into flattery, and perhaps made him an
unwilling accessory to some of his master’s crimes.
Seneca was the author, not only of philosophical treatises, but also
of ten tragedies, and one hundred and twenty-four moral epistles. He
even attempted a satire on the stupidity of the emperor Claudius,
representing him as transformed after death, not into a god, as the
senate decreed, but into a pumpkin. Several other works from his pen
are lost.
The best of Seneca’s treatises are those on Anger, Providence, and
Consolation. His style, labored, antithetical, and full of repetitions,
has an artificial glitter about it that impresses the reader
unfavorably.
EXTRACTS FROM SENECA’S WRITINGS.
ON ANGER.
Public-domain text, read in full here on John Shaqi.
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