[Illustration: "DRESSING CHAIRS," DESIGNED BY J. MAYHEW. These shew the influence of Sir W. Chambers' Chinese style.] Hepplewhite had a "_specialité_," to which he alludes in his book, and of which he gives several designs. This was his japanned or painted furniture; the wood was coated with a preparation after the manner of Chinese or Japanese lacquer, and then decorated, generally with gold on a black ground, the designs being in fruits and flowers: and also medallions painted in the style of Cipriani and Angelica Kauffmann. Subsequently, furniture of this character, instead of being japanned, was only painted white. It is probable that many of the chairs of this time which one now sees to be of wood of inferior quality, and with scarcely any ornament, were originally decorated in the manner just described, and therefore the "carving" of details would have been superfluous. Injury to the enamelling, by wear and tear, was most likely the cause of their being stripped of their rubbed and partly obliterated decorations, and they were then stained and polished, presenting an appearance which is scarcely just to the designer and manufacturer. In some of Hepplewhite's chairs, too, as in those of Sheraton, one may fancy he sees evidence of the squabbles of two fashionable factions of this time, "the Court party" and the "Prince's party," the latter having the well-known Prince of Wales' plumes very prominent, and forming the ornamental support of the back of the chair. Another noticeable enrichment is the carving of wheat ears on the shield shape backs of the chairs. To convey an idea of the fashion of the day, "the plan of a room shewing the proper distribution of the furniture," appears on page 193. It is evident from the large looking glass which overhangs the sideboard that the fashion had now set in to use these mirrors. Some thirty or forty years later this mirror became part of the sideboard, and, in some large and pretentious designs which we have seen, the sideboard itself was little better than the support of a huge glass in a heavily carved frame. The dining tables of this period deserve a passing notice as a step in the development of that important member of our "Lares and Penates." What was, and is still, called the "pillar and claw" table, came into fashion towards the end of the last century. It consisted of a round or square top supported by an upright cylinder, which rested on a plinth having three, or sometimes four, feet carved as claws. In order to extend these tables for a larger number of guests, an arrangement was made for placing several together. When apart, they served as pier or side tables, and some of these--the two end ones, being semi-circular--may still be found in some of our old inns.[18] [Illustration: TEA TRAY. TEA TRAY. GIRANDOLE. PARLOUR CHAIR, WITH PRINCE OF WALES' PLUMES. PIER TABLE. PARLOUR CHAIR. DESIGNS OF FURNITURE. FROM HEPPLEWHITE'S "GUIDE," PUBLISHED 1787.]