Illustrated History of Furniture, fifth ed.: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture, fifth ed.: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
[Footnote 2: See also Notes on Woods (Appendix).]
CHAPTER II.
The Middle Ages.
Period of 1,000 years from Fall of Rome, A.D. 476, to
Capture of Constantinople, 1453--The Crusades--Influence of
Christianity--Chairs of St. Peter and Maximian at Rome, Ravenna,
and Venice--Edict of Leo III. prohibiting Image worship--The
Rise of Venice--Charlemagne and his successors--The Chair
of Dagobert--Byzantine character of Furniture--Norwegian
carving--Russian and Scandinavian--The Anglo-Saxons--Sir Walter
Scott quoted--Descriptions of Anglo-Saxon Houses and Customs--Art
in Flemish Cities--Gothic Architecture--The Coronation Chair
at Westminster Abbey--Penshurst--French Furniture in the
14th Century--Description of rooms--The South Kensington
Museum--Transition from Gothic to Renaissance--German carved work;
the Credence, the Buffet, and Dressoir.
The history of furniture is so thoroughly a part of the history of the
manners and customs of different peoples, that one can only understand and
appreciate the several changes in style, sometimes gradual and sometimes
rapid, by reference to certain historical events and influences by which
such changes were effected.
Thus, we have during the space of time known as the Middle Ages, a stretch
of some 1,000 years, dating from the fall of Rome itself, in A.D. 476 to
the capture of Constantinople by the Turks under Mahomet II. in 1453,
an historical panorama of striking incidents and great social changes
bearing upon our subject. It was a turbulent and violent period, which saw
the completion of Rome's downfall, the rise of the Carlovingian family,
the subjection of Britain by the Saxons, the Danes, and the Normans; the
extraordinary career and fortunes of Mahomet; the conquest of Spain and
a great part of Africa by the Moors; and the Crusades, which united in a
common cause the swords and spears of friend and foe.
It was the age of monasteries and convents, of religious persecutions
and of heroic struggles of the Christian Church. It was the age of
feudalism, chivalry, and war, but towards its close a time of comparative
civilisation and progress, of darkness giving way to the light which
followed; the night of the Middle Ages preceding the dawn of the
Renaissance.
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