Josiah Wedgwood, too, turned his attention to the production of plaques in relief, for adaptation to chimney pieces of this character. In a letter written from London to Mr. Bentley, his partner, at the works, he deplores the lack of encouragement in this direction which he received from the architects of his day; he, however, persevered, and by the aid of Flaxman's inimitable artistic skill as a modeller, made several plaques of his beautiful Jasper ware, which were let in to the friezes of chimney pieces, and also into other wood-work. There can be seen in the South Kensington Museum a pair of pedestals of this period (1770-1790) so ornamented. It is now necessary to consider the work of a group of English cabinet makers, who not only produced a great deal of excellent furniture, but who also published a large number of designs drawn with extreme care and a considerable degree of artistic skill. The first of these and the best known was Thomas Chippendale, who appears to have succeeded his father, a chair maker, and to have carried on a large and successful business in St. Martin's Lane, which was at this time an important Art centre, and close to the newly-founded Royal Academy. [Illustration: English Satinwood Dressing Table. With Painted Decoration. End of XVIII. Century.] [Illustration: Chimneypiece and Overmantel. Designed by W. Thomas, Architect. 1783. Very similar to Robert Adam's work.] Chippendale published "The Gentleman and Cabinet Maker's Director," not, as stated in the introduction to the catalogue to the South Kensington Museum, in 1769, but some years previously, as is testified by a copy of the "third edition" of the work which is in the writer's possession and bears date 1762, the first edition having appeared in 1754. The title page of this edition is reproduced in _fac simile_ on page 178. [Illustration: Chairs, With ornament in the Chinese style, by Thomas Chippendale.]