Illustrated History of Furniture: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
This valuable work of reference contains over two hundred copperplate
engravings of chairs, sofas, bedsteads, mirror frames, girandoles,
torchéres or lamp stands, dressing tables, cabinets, chimney pieces,
organs, jardiniéres, console tables, brackets, and other useful and
decorative articles, of which some examples are given. It will be observed
from these, that the designs of Chippendale are very different from those
popularly ascribed to him. Indeed, it would appear that this maker has
become better known than any other, from the fact of the designs in his
book being recently republished in various forms; his popularity has thus
been revived, while the names of his contemporaries are forgotten. For the
last fifteen or twenty years, therefore, during which time the fashion has
obtained of collecting the furniture of a bygone century, almost every
cabinet, table, or mirror-frame, presumably of English manufacture, which
is slightly removed from the ordinary type of domestic furniture, has
been, for want of a better title, called "Chippendale." As a matter of
fact, he appears to have adopted from Chambers the fanciful Chinese
ornament, and the rococo style of that time, which was superseded some
five-and-twenty years later by the quieter and more classic designs of
Adam and his contemporaries.
[Illustration: _Fac-Simile of the Title Page of Chippendale's "Director."
(Reduced by Photography.) The Original is in Folio Size_.
THE
GENTLEMAN and CABINET-MAKER'S
DIRECTOR:
Being a large COLLECTION of the
Most ELEGANT and USEFUL DESIGNS
OF
HOUSEHOLD FURNITURE,
In the Most FASHIONABLE TASTE.
Including a great VARIETY of
CHAIRS, SOFAS, BEDS, and COUCHES; CHINA-TABLES,
DRESSING-TABLES, SHAVING-TABLES,
BASON-STANDS, and TEAKETTLE-STANDS;
FRAMES for MARBLE-SLABS, BUREAU-DRESSING-TABLES,
and COMMODES;
WRITING-TABLES, and LIBRARY-TABLES;
LIBRARY-BOOK-CASES, ORGAN-CASES for
private Rooms, or Churches, DESKS, and
BOOK-CASES; DRESSING and WRITING-TABLES
with BOOK-CASES, TOILETS, CABINETS,
and CLOATHS-PRESSES; CHINA-CASES,
CHINA-SHELVES, and BOOK-SHELVES;
CANDLE-STANDS, TERMS for BUSTS, STANDS
for CHINA JARS, and PEDESTALS; CISTERNS
for WATER, LANTHORNS, and CHANDELIERS;
FIRE-SCREENS, BRACKETS, and CLOCK-CASES;
PIER-GLASSES, and TABLE-FRAMES; GIRANDOLES,
CHIMNEY-PIECES, and PICTURE-FRAMES;
STOVE-GRATES, BOARDERS, FRETS,
CHINESE-RAILING, and BRASS-WORK, for
Furniture,
AND OTHER
ORNAMENTS,
TO WHICH IS PREFIXED,
A Short EXPLANATION of the Five ORDERS of ARCHITECTURE;
WITH
Proper DIRECTIONS for executing the most difficult Pieces, the
Mouldings being exhibited at large, and the Dimensions of each DESIGN
specified.
The Whole comprehended in Two HUNDRED COPPER-PLATES, neatly engraved.
Public-domain text, read in full here on John Shaqi.
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