Industrial arts; Technology -- Juvenile literature
Wouldn't you think a pile of soft plates and saucers would burn all
together and stick fast to each other? Well, they don't. There are little
things made of hard clay with three bars and three feet, and they put
them in between dishes so that one plate has one in it, and the next
plate sets on top of that, so that they can't stick together. Did you
ever see three little dark spots on the bottom of a saucer? This is what
makes them. There are lots and lots of these little stands lying all
around everywhere, and broken pieces of them and the clay, scattered like
flour all over the ground and floors thick.
We next went into the room back of the kilns. It had shelves all around,
too, and there were piles of dishes after the first burning. A lot of
women sat on stools on the floor and they were brushing the fire cracks
with some stuff out of little bottles. This was to fill them up so that
the glazing wouldn't run in.
[Illustration: REST FOR FLAT DISHES.]
We went into another room at one side of the first and there's where they
did the glazing. They called it _dipping_. There was a large tank in the
middle of the room with a deep red liquid in it. Papa asked the man what
it was, and he said it was a secret preparation. The men dipped the
dishes in, and they came out a beautiful pink, so pretty that it seemed a
pity they couldn't stay so. There were shelves all around this room, too,
and there the dishes look like they do when we see them--the pink glazing
has turned white.
There is nothing more done to them except the _dressing_. We had now gone
all around, and were almost at the _dressing-room_ where we started. And
when we went in again we found that the dressing was nothing but knocking
off any rough lumps with a chisel. I remember every bit of it. And every
time I look at dishes I think there are ever so many things we use every
day and don't know anything about.
ARCHERY FOR BOYS.
Mr. Maurice Thompson has excited all the grown-up boys who loved in their
younger days to draw the bow, by his graceful articles on archery for
young men and women.
[Illustration: Fig. A.]
I want to tell the boys who are wide awake how they may, without too much
labor and with but little expense, make their own bows and arrows and
targets, having _their_ fun, like their elders, in this health-giving and
graceful recreation.
In the first place, after you have made your implements for the sport,
you must never shoot at or towards anyone; nor must you ever shoot
directly upwards. In the one case you may maim some one for life, and in
the other you may put out your own eye as an acquaintance of the writer's
once did in Virginia.
To make a bow take a piece of any tough, elastic wood, as cedar, ash,
sassafras or hickory, well-seasoned, about your own length. Trim it so as
to taper gradually from the centre to the ends, keeping it flat, at
first, until you have it as in this sketch--for a boy, say, five feet in
height: (Fig. A)
Public-domain text, read in full here on John Shaqi.
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