Illustrations of Shakspeare, and of Ancient Manners:: with Dissertations on the Clowns and Fools of Shakspeare; on a Collection of Popular Tales Entitled Gesta Romanorum; and on the English Morris dance.Douce, Francis
History
Illustrations of Shakspeare, and of Ancient Manners:: with Dissertations on the Clowns and Fools of Shakspeare; on a Collection of Popular Tales Entitled Gesta Romanorum; and on the English Morris dance.
Douce, Francis
Clowns -- England -- History -- 16th century; Clowns in literature; Exempla in literature; Fools and jesters -- England -- History -- 16th century; Fools and jesters in literature; Gesta Romanorum; Manners and customs in literature; Morris dance; Shakespeare, William, 1564-1616 -- Characters -- Clow
The readers of Shakspeare may be properly divided into three classes.
The first, as they travel through the text, appeal to each explanation
of a word or passage as it occurs. The second read a large portion of
the text, or perhaps the whole, uninterruptedly, and then consult the
notes; and the third reject the illustrations altogether. Of these
the second appear to be the most rational. The last, with all their
affectation, are probably the least learned, but will undoubtedly
remain so; and it may be justly remarked on this occasion, in the
language of the writer who has best illustrated the principles of
taste, that "the pride of science is always meek and humble compared
with the pride of ignorance." He, who at this day can entirely
comprehend the writings of Shakspeare without the aid of a comment, and
frequently of laborious illustration, may be said to possess a degree
of inspiration almost commensurate with that of the great bard himself.
Mr. Steevens has indeed summed up every necessary argument in his
assertion that "if Shakspeare is worth reading, he is worth explaining;
and the researches used for so valuable and elegant a purpose, merit
the thanks of genius and candour, not the satire of prejudice and
ignorance."
The indefatigable exertions of Messrs. Steevens, Malone, Tyrwhitt, and
Mason, will ever be duly appreciated by the true and zealous admirers
of Shakspeare's pages. If the name of a celebrated critic and moralist
be not included on this occasion, it is because he was certainly
unskilled in the knowledge of obsolete customs and expressions.
His explanatory notes therefore are, generally speaking, the most
controvertible of any; but no future editor will discharge his duty to
the public who shall omit a single sentence of this writer's masterly
preface, or of his sound and tasteful characters of the plays of
Shakspeare. Of all the commentators Dr. Warburton was surely the worst.
His sentiments indeed have been seldom exhibited in modern editions but
for the purpose of confuting them.
The wide dispersion of those materials which are essential to the
illustration of inquiries like the present, will necessarily frustrate
every endeavour at perfection; a circumstance that alone should teach
every one discussing these difficult and obscure subjects, to speak
of them with becoming diffidence. The present writer cannot flatter
himself that he has uniformly paid a strict attention to this rule; the
ardour of conjecture may have sometimes led him, in common with others,
to forget the precepts he had himself laid down.
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