Illustrations of the author of Waverley : $b being notices and anecdotes of real characters, scenes, and incidents supposed to be described in his worksChambers, Robert
History
Illustrations of the author of Waverley : $b being notices and anecdotes of real characters, scenes, and incidents supposed to be described in his works
Chambers, Robert
Scotland -- In literature; Scott, Walter, 1771-1832
When the Highlanders prepared for Prestonpans (“Wav.,” vol. ii. p.
289), Mrs. Flockhart, in great distress about the departure of her
lodgers, asks Ensign Maccombich if he would “actually face thae
tearing, swearing chields, the dragoons?” “Claw for claw,” cries the
courageous Highlander, “and the devil take the shortest nails!” This
is an old Gaelic proverb. _Conan_ was one of Fingal’s heroes—rash,
turbulent, and brave. One of his unearthly exploits is said to have
led him to Iurna, or Cold Island (similar to the Den of Hela of
Scandinavian mythology), a place only inhabited by infernal beings. On
Conan’s departure from the island, one of its demons struck him a blow,
which he instantly returned. This outrage upon immortals was fearfully
retaliated, by a whole legion setting upon poor Conan. But the warrior
was not daunted; and exclaiming, “Claw for claw, and the devil take the
shortest nails!” fought out the battle, and, it is said, ultimately
came off victorious.
TULLY-VEOLAN.
(_Traquair House._)
TULLY-VEOLAN finds a striking counterpart in Traquair House, in
Peebles-shire, the seat of the noble family whose name it bears. The
aspect of the gateway, avenue, and house itself, is precisely that of
the semi-Gothic, bear-guarded mansion of Bradwardine. It is true that,
in place of the multitudinous representations of the bear, so profusely
scattered around Tully-Veolan, we have here only a single pair, which
adorn the gate at the head of the avenue: and that the avenue itself
cannot pretend to match the broad continuous shade through which
Waverley approached the Highland castle; and also that several other
important features are wanting to complete the resemblance;—yet,
if we be not altogether imposed upon by fancy, there is a likeness
sufficiently strong to support the idea that this scene formed the
original _study_ of the more finished and bold-featured picture of
the novelist. Traquair House was finished in the reign of Charles I.
by the first Earl, who was lord high treasurer of Scotland at that
period. This date corresponds with that assigned to Tully-Veolan,
which, says the author, was built when architects had not yet abandoned
the castellated style peculiar to the preceding warlike ages, nor yet
acquired the art of constructing a baronial mansion without a view to
defence.
It is worthy of remark, that the Earl of Traquair is the only Scottish
nobleman, besides the Earl of Newburgh, who still adheres to the
Romish faith:[8] and that his antique and interesting house strongly
resembles, in its _internal economy and appearance_, Glenallan Castle,
described in the “Antiquary.”
Public-domain text, read in full here on John Shaqi.
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