Illustrations of the manners, customs, & condition of the North American Indians, Vol. 2 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existingCatlin, George
History
Illustrations of the manners, customs, & condition of the North American Indians, Vol. 2 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existing
Catlin, George
Indians of North America
In stature he is about at mediocrity, with an elastic and graceful
movement; in his face he is good looking, with rather an effeminate
smile; but of so peculiar a character, that the world may be ransacked
over without finding another just like it. In his manners, and all his
movements in company, he is polite and gentlemanly, though all his
conversation is entirely in his own tongue; and his general appearance
and actions, those of a full-blooded and wild Indian.
In +plate+ 299, is a portrait of _Ye-how-lo-gee_ (the cloud), generally
known by the familiar name of “_Cloud_.” This is one of the chiefs, and
a very good-natured, jolly man, growing fat in his imprisonment, where
he gets enough to eat, and an occasional drink of whiskey from the
officers, with whom he is a great favourite.
_Ee-mat-la_ (“King Philip,” +plate+ 300) is also a very aged chief, who
has been a man of great notoriety and distinction in his time, but has
now got too old for further warlike enterprize.[38]
_Co-ee-ha-jo_ (+plate+ 301), is another chief who has been a long time
distinguished in the tribe, having signalized himself very much by his
feats in the present war.
[Illustration: 299 300]
[Illustration: 301 302]
_La-shee_ (the licker, +plate+ 302), commonly called “Creek Billy,” is
a distinguished brave of the tribe, and a very handsome fellow.
+Plate+ 303, is the portrait of a Seminolee boy, about nine years of
age;[39] and +plate+ 304, a Seminolee woman.
_Mick-e-no-pah_ (+plate+ 305), is the head chief of the tribe, and a
very lusty and dignified man. He took great pleasure in being present
every day in my room, whilst I was painting the others; but positively
refused to be painted, until he found that a bottle of whiskey, and
another of wine, which I kept on my mantelpiece, by permission of my
kind friend Captain Morrison, were only to deal out their occasional
kindnesses to those who sat for their portraits; when he at length
agreed to be painted, “if I could make a fair likeness of his _legs_,”
which he had very tastefully dressed in a handsome pair of red
leggings, and upon which I at once began, (as he sat cross-legged), by
painting _them_ on the lower part of the canvass, leaving room for his
body and head above; all of which, through the irresistible influence
of a few kindnesses from my bottle of wine, I soon had fastened to the
canvass, where they will firmly stand I trust, for some hundreds of
years.
Public-domain text, read in full here on John Shaqi.
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