Courts and courtiers -- Fiction; Europe -- History -- Fiction; Short stories, English
Antony Watteau left us for Paris this morning. It came upon us quite
suddenly. They amuse themselves in Paris. A scene-painter we have here,
well known in Flanders, has been engaged to work in one of the Parisian
play-houses; and young Watteau, of whom he had some slight knowledge,
has departed in his company. He doesn't know it was I who persuaded the
scene-painter to take him; that he would find the lad useful. We
offered him our little presents--fine thread-lace of our own making for
his ruffles, and the like; for one must make a figure in Paris, and he
is slim and well-formed. For myself, I presented him with a silken
purse I had long ago embroidered for another. Well! we shall follow his
fortunes (of which I for one feel quite sure) at a distance. Old
Watteau didn't know of his departure, and has been here in great anger.
December 1703.
Twelve months to-day since Antony went to Paris! The first struggle
must be a sharp one for an unknown lad in that vast, overcrowded place,
even if he be as clever as young Antony Watteau. We may think, however,
that he is on the way to his chosen end, for he returns not home;
though, in truth, he tells those poor old people very little of
himself. The apprentices of the M. Metayer for whom he works, labour
all day long, each at a single part only,--coiffure, or robe, or
hand,--of the cheap pictures of religion or fantasy he exposes for sale
at a low price along the footways of the Pont Notre-Dame. Antony is
already the most skilful of them, and seems to have been promoted of
late to work on church pictures. I like the thought of that. He
receives three livres a week for his pains, and his soup daily.
May 1705.
Antony Watteau has parted from the dealer in pictures a bon marche and
works now with a painter of furniture pieces (those headpieces for
doors and the like, now in fashion) who is also concierge of the Palace
of the Luxembourg. Antony is actually lodged somewhere in that grand
place, which contains the king's collection of the Italian pictures he
would so willingly copy. Its gardens also are magnificent, with
something, as we understand from him, altogether of a novel kind in
their disposition and embellishment. Ah! how I delight myself, in fancy
at least, in those beautiful gardens, freer and trimmed less stiffly
than those of other royal houses. Methinks I see him there, when his
long summer-day's work is over, enjoying the cool shade of the stately,
broad-foliaged trees, each of which is a great courtier, though it has
its way almost as if it belonged to that open and unbuilt country
beyond, over which the sun is sinking.
His thoughts, however, in the midst of all this, are not wholly away
from home, if I may judge by the subject of a picture he hopes to sell
for as much as sixty livres--Un Depart de Troupes, Soldiers
Departing--one of those scenes of military life one can study so well
here at Valenciennes.
June 1705.
Public-domain text, read in full here on John Shaqi.
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