Immortal Songs of Camp and Field: The Story of their Inspiration together with Striking Anecdotes connected with their History — John Shaqi
Immortal Songs of Camp and Field: The Story of their Inspiration together with Striking Anecdotes connected with their HistoryBanks, Louis Albert
History
Immortal Songs of Camp and Field: The Story of their Inspiration together with Striking Anecdotes connected with their History
Banks, Louis Albert
National songs -- United States
"Yanker, didel, doodle down,
Diddle, dudel, lanther,
Yanke viver, voover vown,
Botermilk und tanther."
[Illustration: _BOSTON COMMON
(Beacon Street Mall)_]
From Spain, also, comes a claim. The American Secretary of Legation, Mr.
Buckingham Smith, wrote from Madrid under date of June 3, 1858: "The
tune of _Yankee Doodle_, from the first of my showing it here, has been
acknowledged, by persons acquainted with music, to bear a strong
resemblance to the popular airs of Biscay; and yesterday, a
professor from the north recognized it as being much like the ancient
sword-dance played on solemn occasions by the people of San Sebastian.
He says the tune varies in those provinces. The first strains are
identically those of the heroic Danza Esparta of brave old Biscay."
France puts in a claim, and declares that _Yankee Doodle_ is an old
vintage song from the southern part of that land of grapes; while Italy,
too, claims _Yankee Doodle_ for her own.
The probabilities are that it was introduced into England from Holland.
_Yankee Doodle_ became an American institution in June, 1755. General
Braddock, of melancholy fate, was gathering the colonists to an
encampment near Albany for an attack on the French and Indians at
Niagara. The countrymen came into camp in a medley of costumes, from the
buckskins and furs of the American Indian to some quaint old-fashioned
military heirloom of a century past. The British soldiers made great
sport of their ragged clothes and the quaint music to which they
marched. There was among these regular troops from England a certain Dr.
Richard Shuckburg, who could not only patch up human bodies, but had a
great facility in patching up tunes as well. As these grotesque
countrymen marched into camp, this quick-witted doctor recalled the old
air which was sung by the cavaliers in ridicule of Cromwell, who was
said to have ridden into Oxford on a small horse with his single plume
fastened into a sort of knot which was derisively called a "macaroni."
The words were,--
"Yankee Doodle came to town,
Upon a Kentish pony;
He stuck a feather in his cap,
Upon a macaroni."
Doctor Shuckburg at once began to plan a joke upon the uncouth
newcomers. He set down the notes of _Yankee Doodle_, wrote along with
them the lively travesty upon Cromwell, and gave them to the militia
musicians as the latest martial music of England. The band quickly
caught the simple and contagious air which would play itself, and in a
few hours it was sounding through the camp amid the laughter of the
British soldiers. It was a very prophetic piece of fun, however, which
became significant a few years later. When the battles of Concord and
Lexington began the Revolutionary War, the English, when proudly
advancing, played along the road _God save the King_; but after they had
been routed, and were making their disastrous retreat, the Americans
followed them with the taunting _Yankee Doodle_.
Public-domain text, read in full here on John Shaqi.
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