Immortal Songs of Camp and Field: The Story of their Inspiration together with Striking Anecdotes connected with their HistoryBanks, Louis Albert
History
Immortal Songs of Camp and Field: The Story of their Inspiration together with Striking Anecdotes connected with their History
Banks, Louis Albert
National songs -- United States
During the intense anxiety of waiting for dawn, Mr. Key had conceived
the idea of the song and had written some lines, or brief notes that
would aid him in calling them to mind, upon the back of a letter which
he happened to have in his pocket. He finished the poem in the boat on
his way to the shore, and finally corrected it, leaving it as it now
stands, at the hotel, on the night he reached Baltimore, and immediately
after he arrived. The next morning he took it to Judge Nicholson, the
chief justice of Maryland, to ask him what he thought of it; and he was
so pleased with it that he immediately sent it to the printer, Benjamin
Edes, and directed copies to be struck off in handbill form. In less
than an hour after it was placed in the hands of the printer it was all
over the town, and hailed with enthusiasm, and at once took its place in
the national songs. The first newspaper that printed it was the
_American_, of Baltimore.
[Illustration: _FORT McHENRY_]
The tune, which has helped so much to make it famous, also had an
interesting selection. Two brothers, Charles and Ferdinand Durang, were
actors at the Holliday Street Theater in Baltimore, but were also
soldiers. A copy of Francis Key's poem came to them in camp; it was read
aloud to a company of the soldiers, among whom were the Durang
brothers. All were inspired by the pathetic eloquence of the song and
Ferdinand Durang at once put his wits to work to find a tune for it.
Hunting up a volume of flute music which was in one of the tents, he
impatiently whistled snatches of tune after tune, just as they caught
his quick eye. One, called _Anacreon in Heaven_, struck his fancy and
riveted his attention. Note after note fell from his puckered lips
until, with a leap and shout, he exclaimed, "Boys, I've hit it!" And
fitting the tune to the words, there rang out for the first time the
song of _The Star-Spangled Banner_. How the men shouted and clapped; for
there never was a wedding of poetry to music made under more inspiring
influences! Getting a brief furlough, the Durang brothers sang it in
public soon after. It was caught up in the camps, and sung around the
bivouac fires, and whistled in the streets, and when peace was declared,
and the soldiers went back to their homes, they carried this song in
their hearts as the most precious souvenir of the war of 1812.
The song bears evidence of the special incident to which it owes its
creation, and is not suited to all times and occasions on that account.
To supply this want, additional stanzas have, from time to time, been
written. Perhaps the most notable of all these is the following stanza,
which was written by Oliver Wendell Holmes, at the request of a lady,
during our civil war, there being no verse alluding to treasonable
attempts against the flag. It was originally printed in the Boston
_Evening Transcript_.
Public-domain text, read in full here on John Shaqi.
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