Immortal Songs of Camp and Field: The Story of their Inspiration together with Striking Anecdotes connected with their HistoryBanks, Louis Albert
History
Immortal Songs of Camp and Field: The Story of their Inspiration together with Striking Anecdotes connected with their History
Banks, Louis Albert
National songs -- United States
Dan Emmett, who wrote the original _Dixie_, which has been paraphrased
and changed and adapted nearly as frequently as _Yankee Doodle_ was born
at Mount Vernon, Ohio, in 1815. He came from a family all of whose
members had a local reputation, still traditional in that part of the
country, as musicians. In his own case this talent, if given a fair
chance for development, would have amounted to genius. He began life as
a printer, but soon abandoned his trade to join the band of musicians
connected with a circus company. He was not long in discovering that he
could compose songs of the kind in use by clowns; one of the most
popular of these was _Old Dan Tucker_. Its success was so great
that Emmett followed it with many others. They were all negro melodies,
and many of them won great popularity. Finally he took to negro
impersonations, singing his own songs in the ring, while he accompanied
himself on the banjo. He made a specialty of old men, and he declares
with pride that when he had blackened his face, and donned his wig of
kinky white hair, he was "the best old negro that ever lived." He became
such a favorite with the patrons of the circus in the South and West,
that at last--partly by chance, and partly through intention--he became
a full-fledged actor. This was in 1842, at the old Chatham Theater in
New York City, when with two companions he gave a mixed performance,
made up largely of songs and dances typical of slave life and character.
The little troupe was billed as "The Virginia Minstrels," and their
popularity with the public was instantaneous.
This was the beginning of negro minstrelsy, which was destined to have
such a wide popularity in America. From New York the pioneer company
went to Boston, and later on sailed for England, leaving the
newly-discovered field to the host of imitators who were rapidly
dividing their success with them. Emmett had great success in the
British Isles, and remained abroad for several years. When he returned
to New York, he joined the Dan Bryant Minstrel Company, which then held
sway in Bryant's Theater on lower Broadway, which was at that time one
of the most popular resorts in New York City. Emmett was engaged to
write songs and walk-arounds and take part in the nightly performances.
It was while he was with Bryant that _Dixie_ was composed.
Public-domain text, read in full here on John Shaqi.
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