England -- Social life and customs -- 19th century -- Fiction; Young women -- Fiction
They had been abroad for some months, and were now, when we meet them
again, hesitating as to their winter destination. For once, there had
been a diversity of opinion; that is to say, for once, Mrs Wentworth
had expressed a wish, and Imogen had dissented from it. That this had
not already occurred was no thanks to the latter, as with the spirit of
contradiction fast becoming chronic in the formerly sweet-tempered and
still gentle girl, it is much to be doubted if she would not have
opposed any distinct suggestion. But hitherto every proposal had
emanated from herself. That her mother had at last made one was due to
the influence of Mrs Hume, Imogen's sensible though not peculiarly
refined godmother, who had of necessity been taken to a certain extent
into the Wentworths' confidence.
"You are ruining her," Mrs Hume said, without beating about the bush;
"ruining her character, and laying up a store of future discontent and
misery for her. Never marry! tut, tut, nonsense! She's not twenty yet;
of course she'll marry. And even if she never did? Much better have a
settled, respectable ladylike home of your own than go wandering about
in this purposeless fashion, as if there were some mystery about you.
You have money enough to live very nicely: make your headquarters in
London, which you will like yourself, and where Imogen can find
something to do. She is not too old to have some lessons and girls do
all sorts of things nowadays--cooking, ambulance classes, meddling and
muddling about among the poor. It's all very wholesome for them, and
Imogen would get to like London."
But no; Imogen would not hear of it. She was not going to like
anything. She would take no interest in the idea of furnishing a pretty
little house and making some pleasant acquaintances; she had, or
imagined she had, a morbid terror of going into society, for fear her
tragic story should be known; she had taken up the _role_ of a being _a
part_--a Mariana, without Mariana's ghostly and illusive hope. She had
nothing to watch or listen for; still, that made it no better: if she
could neither watch nor listen, she would at least do nothing else. Far
ahead in the dim future, when "mamsey," somehow or other--she did not
define how, for she was too true-hearted to say "when mamsey dies"--
would no longer need her, she had sketched out for herself a shadowy
possibility.
Public-domain text, read in full here on John Shaqi.
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