Impressionist painting: its genesis and development — John Shaqi
Impressionist painting: its genesis and developmentDewhurst, Wynford
History
Impressionist painting: its genesis and development
Dewhurst, Wynford
Artists -- Portraits; Impressionism (Art)
In 1881, after twenty-three years of almost annual exhibition in the
Paris Salons, Boudin obtained a medal in the third class. Nowadays this
award is usually made to the young man who exhibits for the first time.
Three years later Boudin received a medal of the second class, which
exempted his work from judgment by the jury, and places its recipient
“hors concours.” He commenced, at the age of fifty, to sell his pictures
more regularly, but at prices extremely low and out of proportion to
their present value. At the Hôtel Drouot, Paris, in 1888, one hundred
canvases by Boudin fetched the grand total of £280. It is difficult to
estimate what sum such a lot would reach at the present day.
The tide had changed, for the Government bought a large painting, _Une
Corvette Russe dans le Bassin de l’Eure au Havre_ for the Luxembourg. In
1889, public honour was marred by the most mournful blow. To his
inconsolable grief his wife died, after twenty-five years of the
happiest companionship. Amongst the letters of sympathy were many
acknowledgments of the artist’s genius, notably from Claude Monet, “in
recognition of the advice which has made me what I am”—a striking and
flattering phrase from the head of the Impressionist group. In this same
year Boudin was awarded the gold medal at the Salon. In 1896 the
Government purchased his _Rade de Villefranche_ for the Luxembourg, and
the old artist received from the hands of Puvis de Chavannes, at the
recommendation of the Minister Léon Bourgeois, the ribbon and cross of
the Legion of Honour.
[Illustration:
THE REPAIRING DOCKS AT DUNKIRK · EUGENE BOUDIN
]
Public-domain text, read in full here on John Shaqi.
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