But these stylish turnouts form only a part of the spectacle in the
Park driveways, though they form, perhaps, the larger part. Bicyclers
weave their dangerous and devious way everywhere through the roads,
and seem to be forbidden the bridle-paths, where from point to point
you catch a glimpse of the riders. There are boys and girls in
village carts, the happiest of all the people you see; and there are
cheap-looking buggies, like those you meet in the country, with each
a young man and young girl in them, as if they had come in from some
remote suburb; turnouts shabbier yet, with poor old horses, poke about
with some elderly pair, like a farmer and his wife. There are family
carryalls, with friendly-looking families, old and young, getting the
good of the Park together in a long, leisurely jog; and open buggies
with yellow wheels and raffish men in them behind their widespread
trotters; or with some sharp-faced young fellow getting all the speed
out of a lively span that the mounted policemen, stationed at intervals
along the driveways, will allow. The finer vehicles are of all types,
patterned like everything else that is fine in America, upon something
fine in Europe; but just now a very high-backed phaeton appears to
be most in favor; and in fact I get a great deal of pleasure out of
these myself, as I do not have to sit stiffly up in them. They make me
think somehow of those eighteenth-century English novels, of the times
when young ladies like Evelina drove out in phaetons, and were the
passionate pursuit of Lord Orvilles and Sir Clement Willoughbys.
How far do the New Yorkers publicly carry their travesty of the
European aristocratic life? I should say, from what I have seen of
the driving in the Park, it does not err on the side of excess. The
equipages, when they are fine, are rather simple; and the liveries
are such as express a proprietary grandeur in coat-buttons, silver or
gilt, and in a darker or lighter drab of the cloth the servants wear;
they are often in brown or dark green. Now and then you see the tightly
cased legs and top-boots and cockaded hat of a groom, but this is
oftenest on a four-in-hand coach, or the rumble of a tandem cart; the
soul of the free-born republican is rarely bowed before it on the box
of a family carriage. I have seen nothing like an attempt at family
colors in the trappings of the coachman and horses.
Public-domain text, read in full here on John Shaqi.
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