Of course, this social contrast was extreme, like some of those
architectural contrasts I have been noting, but it was by no means
exceptional, as those were not. In fact, I do not know but I may say
that it was characteristic of the place, though you might say that the
prevalent American slovenliness was also characteristic of the New
York street crowds; I mean the slovenliness of the men--the women, of
whatever order they are, are always as much dandies as they can be.
But most American men are too busy to look much after their dress,
and when they are very well to do they care very little for it. You
see few men dressed in New York with, the distinction of the better
class of Londoners, and when you do meet them, they have the air of
playing a part, as in fact they are: they are playing the part of men
of leisure in a nation of men whose reality is constant work, whether
they work for bread or whether they work for money, and who, when they
are at work, outdo the world, but sink, when they are at leisure, into
something third rate and fourth rate. The commonness of effect in the
street crowds is not absent from Fifth Avenue or from Madison Avenue
any more than it is from First Avenue or Tenth Avenue; and the tide
of wealth and fashion, that rolls up and down the better avenues in
the splendid carriages, makes the shabbiness of the foot-passenger,
when he is shabby, as he often is, the more apparent. On the far east
side, and on the far west side, the horse-cars, which form the only
means of transit, have got the dirt and grime of the streets and the
dwellings on them and in them, and there is one tone of foulness in the
passengers and the vehicles. I do not wish to speak other than tenderly
of the poor, but it is useless to pretend that they are other than
offensive in aspect, and I have to take my sympathy in both hands when
I try to bestow it upon them. Neither they nor the quarter they live in
has any palliating quaintness; and the soul, starved of beauty, will
seek in vain to feed itself with the husks of picturesqueness in their
aspect.
IX.
Public-domain text, read in full here on John Shaqi.
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