As I have said before, the shabby avenues have a picturesqueness of
their own, but it is a repulsive picturesqueness, as I have already
suggested, except at a distance. There are some differences of level,
on the avenues near the rivers, that give them an advantage of the more
central avenues, and there is now and then a break of their line by
the water, which is always good. I have noticed this particularly on
the eastern side of the city, which is also the older part, and which
has been less subject to the changes perpetually going on elsewhere,
so that First Avenue has really a finer sky-line, in many parts, than
most parts of Fifth Avenue. There are certain bits, as the artists say,
in the old quarters of the town once forming Greenwich village, which,
when I think of them, make me almost wish to take back what I have said
of the absence even of quaintness in New York. If I recall the aspect
of Mulberry Bend and Elizabeth street, on a mild afternoon, when their
Italian denizens are all either on the pavement or have their heads
poked out of the windows, I am still more in doubt of my own words.
But I am sure, at least, that there is no kindliness in the quaintness,
such as you are said to find in European cities. It has undergone the
same sort of malign change here that has transformed the Italians from
the friendly folk they are at home to the surly race they mostly show
themselves here: shrewd for their advancement in the material things,
which seem the only good things to the Americanized aliens of all
races, and fierce for their full share of the political pottage. The
Italians have a whole region of the city to themselves, and they might
feel at home in it if the filthiness of their native environment could
repatriate them.
As you pass through these streets, there is much to appeal to your pity
in the squalid aspect of the people and the place, but nothing to take
your fancy; and perhaps this is best, for I think that there is nothing
more infernal than the juggle that transmutes for the tenderest-hearted
people the misery of their fellows into something comic or poetic. Only
very rarely have I got any relief from the sheer distress which the
prevalent poverty gives; and perhaps the reader will not be able to
understand how I could find this in the sight of some chickens going
to roost on a row of carts drawn up by the street-side, near a little
hovel where some old people lived in a temporary respite from the
building about them; or from a cottage in outlying suburban fields,
with a tar-roofed shanty for a stable, and an old horse cropping the
pasturage of the enclosure, with a brood of turkeys at his heels.
Public-domain text, read in full here on John Shaqi.
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