Like all other public exhibitions, the police court failed a little in
point of punctuality. It was advertised to open at nine o’clock, but it
was nearer ten when, after several false alarms, the clerk in a rapid,
inarticulate formula declared it now opened, and invoked the blessing
of God on the Commonwealth of Massachusetts. Even then there was a
long wait before we of the audience heard the scuffling of the feet
of the prisoners on what seemed a broad stairway behind the barrier
at the judge’s right, and before any of them came in sight they were
commanded by the attendant policeman to sit down, and apparently did
so, on the top of the stairs. The clerk now turned towards them with a
sheaf of the forms which the policemen had filled out in his hand, and
successively addressed them by name:--
“Larry McShane!”
“Here, sor.”
“Complained of for being drunk. Guilty or not guilty?”
“Guilty, sor.”
“Pay a fine of one dollar and costs, and stand committed to the House
of Industry.”
He jotted something down on the back of each indictment, and half
turned to toss it on to his desk, and then resumed the catalogue of
these offenders, accusing and dooming them all in the same weary and
passionless monotone.
I confess that I had at the time the strongest curiosity to see them,
but it has since struck me that it was a finer effect merely to hear
their voices in response, and to leave their figures and faces to
the fancy. Sometimes the voice that answered “Guilty” was youthful,
and sometimes, I grieve to say, it was feminine, though under the
circumstances it had naturally that subdued tone which is thought such
an excellent thing in woman. Usually, however, the voices were old
and raucous, as if they had many times made the same plea in the same
place, and they pronounced sir _sor_. The clerk’s sheaf of accusations
being exhausted, they all apparently scuffled downstairs again. But a
number must have remained, for now, after this sort of overture, the
entertainment began in earnest, the actors on the scene appearing as
they were summoned from the same invisible space behind the railing,
which I think was probably sunk a little lower than the level of the
auditorium, and which might, to humor the theatrical illusion, be
regarded as the green-room.
II.
Public-domain text, read in full here on John Shaqi.
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