Impressions of America During the Years 1833, 1834 and 1835. Volume 1 (of 2)Power, Tyrone
History
Impressions of America During the Years 1833, 1834 and 1835. Volume 1 (of 2)
Power, Tyrone
Canada -- Description and travel; United States -- Description and travel
The Park Theatre is, as well as I could judge, about the size of the old
Lyceum, of the horse-shoe form; has three tiers of boxes; is handsome,
and in all respects as well appointed as any theatre out of London.
The orchestra is at present excellent, and under the direction of a
very clever man--Penson, formerly leader at Dublin. The company I found
for my purpose a very fair one, my pieces requiring little save
correctness from most of those concerned, except where old men, like
"Aspen," "Frederick II." &c. occur, and all such parts found an
excellent representative in an American actor, called Placide. Descended
of a long line of talented players, he possesses a natural talent I have
rarely seen surpassed, together with a chastity and simplicity of style
that would do credit to the best school of comedy; yet he has never been
away from his own country. I trust the model may not be lost on those
who have to follow him.
There is a representative of old women here, too, a native, Mrs.
Wheatley, an inartificial charming actress, with a perfect conception of
all she does, and a humorous _espieglerie_ of manner that is admirable.
This lady has a daughter, a girl of fourteen, one of the cleverest
mimics I ever saw: she would imitate Miss Fanny Kemble throughout a
whole character, or think, talk, and walk, like her in private,--all
with a slight dash of caricature, but in a spirit of truth and acute
observation worthy of the inimitable Matthews himself.
With these exceptions, the company is, I think, made up of English
actors, many of whom have held respectable situations in the London
houses.
I had heard a good deal of the disorder of the American stage, and the
intractability of American actors; with this specimen I had therefore
every reason to be pleased. I am rather a hard drill, too; but I also
know how painful is the task of studying and practising long parts for
the star of the day, to be thrust out by some fresh stuff got up for his
successor: I am aware of this, and therefore strive to make the pill
less bitter by doing my "spiriting gently," where I see a desire to be
attentive on the part of my friends.
As I may not have occasion to revert to New York theatrically again, let
me here say that, after repeated renewal of my engagements during two
years, my last were amongst the greatest I made in this city: how, after
this, the American public can be called cold or fickle, I at least have
no means of judging.
After a stay of three weeks in New York, rendered as agreeable as fine
weather, kind friends, warm welcome, and success could make it, I took
my departure for Philadelphia by the Camden and Amboy line of steam-boat
and rail-road. Punctual to the minute advertised, we left the wharf;
and, although the day was cold for the season, I was charmed with our
trip across the harbour towards Raritan Creek.
Public-domain text, read in full here on John Shaqi.
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