Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
Here we visited the Church of St. Mary-de-Crypt, (lately restored) where
the admirers of Whitfield would chiefly think of him, and where,
perhaps, he ought to have been more thought of by the Church, and so
saved from the extravagances of his subsequent career. We went also to
see St. Michael’s and St. Mary-de-Lode, (fresh restorations again) and
finally visited the scene of Bishop Hooper’s fiery martyrdom. The death
of Hooper dignifies the otherwise inglorious memory of a prelate who did
not a little to spoil his own work as a reformer, by tampering with
Geneva. And it is curious how much of puritanism he seems to have
bequeathed to his see; Glos’ter having been the proverbial haunt of the
“godlie” in Cromwell’s time, and having bred the zealous evangelist, to
whom I have already alluded as originally illuminating with his
enthusiasm, the cold interior of St. Mary-de-Crypt. Strange, that after
beginning here as a deacon of the Church, he should now lie buried under
a puritan pulpit in New England, having completely revolutionized the
Calvinism of our own country, and entailed upon it the _Convulsionism_
of which it is now expiring. Had the zeal of Whitfield been according to
his knowledge, and had the dormant Hanoverian age, which produced him,
by the law of reaction, only known how to use him, he might have left
behind him some less equivocal fruits of missionary enterprise.
Before speaking of the cathedral, I must allude to our visit to Highnam,
on the other side of the Severn. Here we found a Church, lately erected
entire, at a cost of £30,000, by a single individual—nave, chancel,
tower, and spire complete, and all affording a model of ecclesiastical
art, worthy of standing in the neighbourhood of some of its noblest
originals. To see a Victorian Church, and one thus erected by private
munificence, comparing so favourably with some of the most admired
specimens of the middle ages, not only in general construction, but in
the most elaborate details, was indeed refreshing to the eye and to the
heart. The chancel and altar were especially noteworthy, adorned as they
were with the most delicate sculpture, in Caen stone, and instinct with
the life and beauty of a healthful symbolism. Into the chancel opened a
small sepulchral chapel, which exceedingly interested my feelings, and
warmed my admiration of the whole. Two memorial windows were dedicated,
each to the remembrance of a departed child, and between them stood, in
a niche, the marble bust of their departed mother. Blessed religion of
Jesus, which makes the dead in Christ so dear, and which so beautifies
their memory: which so sanctifies the ties of earth, and so triumphs
over death, in its power to render them eternal! Here was a family nest,
indeed, hung upon the altar of the Lord of Hosts! My eyes glistened as I
read, beneath the lovely effigy of the Christian wife and mother, an
inscription to “Anna Maria Isabella G—— P——; in fulfilment of whose
Public-domain text, read in full here on John Shaqi.
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