Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
pious purpose this Church was erected to the glory of God, by her
husband.” Then followed the texts—including an allusion to the
children, as well as their mother—“And they shall be mine in that day
when I make up my jewels:”—“The Lord grant unto them that they may find
mercy of the Lord in that day.” I can scarcely remember anything of the
kind which ever more powerfully touched the springs of Christian
sympathy within me; those sacred springs of the heart, which can never
issue in their fullest flow, till they have been fed by the hallowed
love of the husband and the father.
Returning to the town, I devoted nearly the whole of the remainder of
the afternoon to the cathedral; accompanied most of the time, by the
friend to whom I had owed the pleasures of the day, and to whom I at
last bade a reluctant farewell. I had been greatly benefited, not only
by his intelligent conversation on indifferent topics, but by his
earnestness in those particularly, which Christian priests should
discuss most freely in each other’s company. He left me to the kind
attention of a worthy dignitary of the cathedral, the Rev. Sir John
S——, in the enjoyment of whose polite hospitalities I spent the
evening of this charming day.
The exterior of the cathedral, as seen from every point of vantage, in
neighbouring gardens, or from the solemn seclusion of the surrounding
precincts, was not less striking, in its way, than that of any similar
structure I had yet beheld; but the internal survey was more impressive,
by far, than that of any other, except Westminster Abbey. It is one of
the largest of its class of buildings, and in its different portions,
presents an epitome of pointed art, in its several stages of progress
through a period of five hundred years. Here is the Anglo-Norman nave,
with massive columns, like those of Tewksbury; then comes the choir,
with its rich and delicate elaborations; and then the Lady-Chapel, which
is a little paradise of architecture. The solid crypts beneath, dating
from the tenth century, present a singular instance of groining, in
their square and solid ribs, entirely unadorned; while the cloisters, in
the style of the fifteenth century, seem to have exhausted the skill of
the architect, in the exceeding richness of their tracery, and pendant
vaulting. The very defects of the building seem to have contributed to
its graces, for when I had admired the aerial effect of a slender arch,
springing athwart the transepts and attaching itself to the roof, as if
its solid stone were a mere hanging festoon, I was told that this was,
in fact, a blemish, and had been introduced into the original plan, only
to strengthen the walls. I went into the triforia, and tried the
whispering-gallery, but had no time to amuse myself with such small
experiments, amid so many incentives to a higher employment of my
opportunities. I am sorry that the marvellous beauty of the Lady-Chapel
still demands the hand of a restorer. The “godly” Cromwellians have left
Public-domain text, read in full here on John Shaqi.
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