Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
Up and down I went, thinking only of her wrongs. Now the worn steps
wound up to a turret, and now descended to a secret postern. Here was
the orchard, and there the lake, and there the plaisance: now you look
out of a prison-like window, and now you stand in the deep recess of a
lordly oriel. Going into the ancient grounds, I scattered a hundred
sheep, and away they went, bounding over grass as green and velvety, as
they were white and fleecy. These are the successors of those red deer,
fallow deer, and roes, which once stored the chase. The “swifts” darted
from bush to bush, and the thrushes fluttered in the hawthorn; and then
all was as still as if the past hung over the place like a spell, and as
if it were haunted with its own history. Of all this noble castle, there
remains only one outer part, which can shelter a human inhabitant. The
barbican, beneath which Elizabeth must have made that superb entrance,
is still a dwelling; but its occupant is a plain farmer, who would, no
doubt, prefer to be more snugly housed. It seemed strange to find such a
picturesque abode devoted to so homely a use. How glad I should be to
hire it, myself, for a summer lodge, provided I might have the range of
the surrounding domains, without the annoyance of everybody’s intrusion,
and provided I had nothing better to do than to read romances and
history!
Here this farmer lives, in a room of panelled oaken wainscot, enclosed
by walls that might defy artillery. The chimney-piece is a massive bit
of antiquity, partly alabaster curiously wrought, and partly wood of
rich and costly carving. The ragged-staff of Dudley is conspicuous, in
the decorations; it betrays the relics of its former gilding; the
speaking initials R. L. tell the story of its origin, and the motto
_Droit et Loyal_ shows itself, as if in mockery of historical justice,
amid the arms and cognizances of the once proud possessor of the
princely castle of Kenilworth.
The long twilight enabled me to visit Leamington Priors, and to get a
very pleasing impression of its trim and fair abodes, and showy modern
streets. Then away, by night, to Warwick, where I slept at the “Warwick
Arms,” after such a comfortable supper, as one finds nowhere, at the
close of a traveller’s day, except at an English Inn.
It proved a most beautiful morning, next day, and I was up very early,
resolved, before tasting breakfast, to taste all the sweets of the hour
of prime, in one of the most beautiful rural districts of England. I
walked out some two or three miles, on the Kenilworth road, to Guy’s
Cliff, and to the scene, beyond it, of Piers Gaveson’s murder. The
beauty of the day and of the Scenery, the song of birds, and the
blossoms of the hawthorn along the road, were singularly in keeping with
the imagery by which the poet has pictured the early history of a reign,
strikingly coincident with that in which Gaveson’s fortune was made and
ruined:—
Public-domain text, read in full here on John Shaqi.
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