Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
“Fair laughs the morn, and soft the zephyr blows,
While proudly riding o’er the azure realm,
In gallant trim the gilded vessel goes,
Youth on the prow, and pleasure at the helm!”
At length, leaping a slight fence, I made my way through a clovered
field, and then through a pretty grove, to what was once Blacklow hill.
Here is still a sort of cave, which I readily found among the hazels;
and on the eminence above it, rises a strongly built and severe looking
monument, surmounted by a cross of solid proportions, the whole
singularly adapted to the place and purpose. It is a work of late years,
and the happy thought of the proprietor of Guy’s Cliff. There was
something stirring, too, in reading, in the loneliness of that morning
hour, the following inscription on the face of the monument, viz:—“_In
the hollow of this rock was beheaded, July 1, 1312, by barons lawless as
himself, Piers Gaveson, Earl of Cornewall, the minion of a hateful king,
and in life and death a memorable instance of misrule._” What a picture
of the ferocious past was conjured up by that expression—“beheaded by
barons as lawless as himself.” The sweet Avon was flowing through the
meads below; there gleamed the feudal towers of Warwick, in the glowing
sunrise; and just so it was, that July morning, five hundred years ago,
when this rock rang with oaths and curses, the barkings of that fierce
Guy de Beauchamp, whom Gaveson had called “the black hound of Arden.”
That insult was here avenged in blood; but it only served to fire the
thirst of the regicide. Those features upturned to heaven, in the choir
of Gloucester, and those imploring hands of poor King Edward, came back,
in thought, once more.
Pictures have made my readers familiar with the scenery of Guy’s Cliff.
There it stands, on the Avon—in unpretending beauty, ivied up to its
chimnies, here an oriel, and there a turret, the very ideal of a fair
lady’s bower, and one of the goodliest of “the merry homes of England.”
There is a mill over against it, where I stood and admired its quiet
romance, in the glory of that summer morning, as the gilding of the
sunlight lay on the cold gray of its towers. At the mill, the
farmer-lads were washing sheep, and as they plunged in the fleecy ewes,
and soused them over and over again, in the sparkling waters of the
Avon, I thought an artist would ask no fairer study, for his pencil,
than the scene before me. I confess I could not safely look on it
without repeating the _Tenth Commandment_, and I quite deposed my
project of renting the Gate-house of Kenilworth, in thinking how much
better I should like Guy’s Cliff for my habitation.
Public-domain text, read in full here on John Shaqi.
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